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Love isn't any one good thing; it's a very, very strange mishmash of emotions. Your love for somebody is, oftentimes, informed by the terrible things you might believe about yourself, and comparatively, the person you see them as is everything that you're not.
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Being in a studio is quite a creative and energetic process.
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I'm uncomfortable with selfies and status updates documenting mundane pieces of my life, which I don't think should be of interest to anyone else.
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One of my favorite books is 'Nineteen Eighty-Four' by George Orwell, and 'Catcher in the Rye,' obviously, is a big influence and is one of my favorites.
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If I fall into a city, I fall into a scene, and I just don't want to get distracted and enjoy myself too much. There's too much work to be done.
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I hate nightclubs, and I get fed up very quickly in crowded rooms. I enjoy being around people I know.
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I don't like false happy endings, and I don't think the real world is such a forgiving place.
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I think it's very hard to write things about being joyful. I find that quite difficult. I think when you're happy, you don't want to write songs; you just want to enjoy being happy.
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I wish I had more time to read. I'm always traveling.
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All songs, all pieces of art, reflect the world that they were made in and the values of those artists and the hopes and aspirations of the people who listen to that music and who made that music.
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There are a lot of recurring themes that I resonated with when I read 'A Portrait of the Artist as a Young Man.'
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My musical education was grounded in blues and Chicago blues - John Lee Hooker and Otis Redding.
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Someone had an eye on me as I was leaving high school. I had a chance to record demos, but they were kind of wanting to make a pop singer out of me, of the 'X Factor' variety. I didn't feel comfortable with it. I wanted to be a songwriter.
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We all run the risk of thinking that people have common sense sometimes.
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I've been a total Tom Waits dork for a long, long time.
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I think it is important to differentiate between lip service towards something and actually making change.
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The best vocalists I can think of are female.
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My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
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One of my first festivals was Oxygen 2006. It had this amazing lineup with the Arctic Monkeys on their first or second album, the Strokes, Kings of Leon, the Magic Numbers and then the Who and James Brown. I waited in the pit for a good eight hours to see James Brown.
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I'm influenced a lot by Nina Simone, Stevie Wonder, even Paul Weller - Billie Holiday as well: People who wrote and sang songs that were reflective of their times. I quite like that. I quite admire that.
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I figured the songs wouldn't make much of a splash. I didn't think 'Take Me To Church' would play on the radio or get in the charts, and I didn't think about dealing with a global audience.
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Biggest musical influences would be people like Nina Simone and Tom Waits. A huge amount of writers like Leslie Feist and Paul Simon.
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I used to almost not look forward to recording, because it was like, 'Okay, what am I going to have to sacrifice?'
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To be honest, the biggest reason I write music and became a musician was to create the amount of joy that I felt about music to anyone else. To me, that's a job well done.