Andrew Hozier-Byrne Quotes
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It was amazing for me to even perform at the Grammys, but to do so alongside Annie Lennox was a truly incredible honor.
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I was never academically driven in English, but, again, Tom Waits is a perfect example of an influence. He writes so immaculately and paints so perfectly a world and the characters within it. There are writers like that who are my influences: vivid and gifted storytellers.
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I spent quite a bit of time in choirs, growing up, and in the world-touring music group Anuna.
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I always thought of myself as a very, very obscure artist.
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If I could, I'd sing old French songs or American folk music, but I sure as hell can't do it as well as Mississippi John Hurt - no way in hell am I getting near that!
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I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.
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Truth be told, I'm not all that comfortable with celebrity culture. That was always something that baffled me, the obsession over fame. I don't think that's a reason why anyone should get into making music.
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It's a surreal experience filming promotion with Ryan Seacrest and meeting Top 40 pop artists.
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There's not a lot of room for thinking in popular culture; there's not a lot of room for being conflicted.
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I think it's very hard to write things about being joyful. I find that quite difficult. I think when you're happy, you don't want to write songs; you just want to enjoy being happy.
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I love a lot of Irish folk music and Irish folk songs.
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The success of 'Take Me To Church,' I never imagined it. I never imagined that it would work on radio, that it would find its way onto the charts, even at home and certainly not in America.
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I would love to get in trouble with the Catholic Church. I'm not religious myself, but my issue is with the organization. It's an organization of men - it's not about faith.
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Growing up, I always saw the hypocrisy of the Catholic church. The history speaks for itself, and I grew incredibly frustrated and angry. I essentially just put that into my words.
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I had a fascination with the roots of African American music. That would have been my first education in music. I had a real passion for it. I wanted to play it, sing it. I could sing at a young age, but I started to teach myself bass guitar and started writing when I was 15.
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I'm reading a lot of poetry because it's a lot easier to dip in and dip out when you've got 10 minutes to yourself.
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Some of the earlier stuff I did in studio with producers was very pop-directed, which I was uncomfortable with.
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It's so easy to look forward when you're travelling; you spend your life looking forward, thinking, 'What's next? When do I get time to work on my music again? Or when do I get time to get my 'normal' life back?'
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I found the experience of falling in love or being in love was a death: a death of everything. You kind of watch yourself die in a wonderful way, and you experience for the briefest moment - if you see yourself for a moment through their eyes - everything you believed about yourself gone. In a death-and-rebirth sense.
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My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
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I'm always eager to make new music.
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Religion wasn't imposed on me. I dabbled with faith, and I explored religion quite thoroughly.
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I love making music, but if you make something that inspires somebody else to make something, without getting too airy-fairy, you've contributed to the zeitgeist in some way, and that's just an amazing feeling.
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I hate nightclubs, and I get fed up very quickly in crowded rooms. I enjoy being around people I know.