Benoit Mandelbrot Quotes
If one takes the kinds of risks which I took, which are colossal, but taking risks, I was rewarded by being able to contribute in a very substantial fashion to a variety of fields. I was able to reawaken and solve some very old problems.
Quotes to Explore
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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I don't have a type. I don't have a specific kind of human being. It's just kind of an X-factor of sorts. Everybody I've ever dated has been a case-by-case situation.
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Albania is at risk and we are living in difficult times.
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In fashion, we don't often know the prices. We don't have time to go into the stores.
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In a completely integrated unit where you'd have white soldiers, particularly from southern states, serving under black noncommissioned officers or officers... I think you would have a problem definitely.
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The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
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My problem with new writers is that it takes me five or six years to memorise the right names.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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If I couldn't see the colors, now that would be a problem.
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I have never felt anchored when it comes to fashion. I've always had to depend on a stylist helping me to figure it out.
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I love the fashion world. I love clothes. I love style.
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Looking at acting, in the movies or the theater, and the way I like to look at it, it's just an extension of childhood play... Kids play and imagine in a very intense fashion and they don't need any director telling them, 'You really have to believe in it.' They believe in it completely.
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I definitely had a hard time leaving for college because I'm not much of a risk-taker.
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When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
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What we can afford least is to define the problem of future war as we would like it to be and, by doing so, introduce into our defense vulnerabilities based on self-delusion.
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I guess I'm kind of used to it because it's always been that way for me.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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As an assistant operations officer for a helicopter task force in Iraq, I saw my fellow Guardsmen and soldiers risk life and limb to maintain diesel fuel supply lines.
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I love the business of business; I love the risk raking.
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Sponsorship involves putting your own political capital at risk, so they are going to help that person to succeed. Women get promoted; they don't get sponsored. Women know they are on their own if they get that promotion.
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If you can talk brilliantly about a problem, it can create the consoling illusion that it has been mastered.
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When I was a kid, I remember seeing Michael Jackson. I thought he was an alien. You don't grow up to be like Michael Jackson. I'm not saying I'm Michael Jackson, but Mercury Prizes are for aliens, basically. So I was very chuffed that I got nominated, and then I won.
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So the characters that I choose, I like to make sure that they have depth and that they have some sort of bite. It's more fun.
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If one takes the kinds of risks which I took, which are colossal, but taking risks, I was rewarded by being able to contribute in a very substantial fashion to a variety of fields. I was able to reawaken and solve some very old problems.
