Benny Green Quotes
I'm naturally going to react to that and he'll bring out elements in my musical character that were lying dormant, because I'm relating what he's playing.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.
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In Men in Black, it was a very small character, no pun intended.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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No matter where your lot may be cast, no power on earth can keep you from making a man of yourself, a superb character, a masterpiece.
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I played a character in 'Ransom' who was as evil as they come.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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You try not to become so emotionally attached to your character, but you do.
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Character is always known. Thefts never enrich; alms never impoverish; murder will speak out of stone walls.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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Pure knowledge is the ultimate emancipator. It equalizes people and sovereign states, erodes the archaic barriers of superstition and promises to lift the trajectory of cultural evolution. But I do not believe that it can change the ground rules of human behavior or alter the main course of history's predictable trajectory.
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I regret I didn't ever learn how to fly a plane. I had the opportunity when I started to make some money, and I regret I didn't really take the time out and put the effort in and do that.
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People are always ready to admit a man's ability after he gets there.
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The successful editor is one who is constantly finding newwriters, nurturing their talents, and publishing them with critical and financial success.
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I'm naturally going to react to that and he'll bring out elements in my musical character that were lying dormant, because I'm relating what he's playing.
