Washed Out Quotes
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I remember at one point, with a previous release of mine, I stumbled upon a shareware site, and the total number of downloads was in the thousands, maybe the hundreds of thousands. But there's no doubt that the Internet and that kind of sharing has been a huge benefit for the band.
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The way that I sing is very mumbled-together, and so I guess I'm kind of stuck with it now.
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The way I work is by infinitely playing a very simple loop over and over, and then I start layering things.
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I just have the normal ringtone, unfortunately.
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I never wanted to just press play on some DJ set and let the lights do all the work. I value old-fashioned performance a little more than that.
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For the longest time, I was trying to be DJ Shadow, I think. But I slowly developed my own style. It was trial and error, for sure.
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I don't really write all that well with others.
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The music is at this weird intersection of dance music and indie music. It's not quite dancey enough to do a full-blown DJ set, and it wasn't quite rock enough for a rock band. But I guess it's what makes us unique - drawing from a lot of different influences.
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If a band or artist isn't tweeting or writing posts on Facebook every day, there can be this kind of mystique built about them, and I find myself retreating from the spotlight more and more.
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I'm very much a fan of having something tactile you can hold.
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My general taste is towards the melancholy.
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In some ways, I feel like I've always dabbled in nostalgia. It's just what I do; it comes naturally.
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I was gonna work in a university, but no one was hiring.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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I want people to make sense of what I'm talking about.
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Maybe in the future, you'll be able to understand what I'm saying. I'm going more for an atmospheric vibe in my songs. And I really don't want to ruin the illusions people may create for themselves.
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In your imagination, you can perfect things in a way you can't do in your everyday life.
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Honestly, I've just made music so long by myself, in some ways I don't feel I'm a very good collaborator.
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Where I grew up in the middle of Georgia, hip-hop is king, and on Friday and Saturday nights, local DJs do mixes. It's a great mix of local stuff and then some of the bigger hits and remixes of the hits, and it just has this nice flow with a dirty-South sound to everything.
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There are certain sounds that have a loaded past. Like the sound of a harp, if you go back to old movies, represents a dream sequence; it transports you there.
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My philosophy is generally to keep things as simple as possible.
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Texture is very important. Just the feel of everything. It's not always about recording everything in pristine quality and having everything mixed where it's absolutely perfect. It's more about a vibe.
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I try to stay on a pretty normal schedule of nine-to-five.
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When I look back at the record and listen to it, I can sort of see where I was at when I was making it - these brief little moments, different places I was at emotionally.