Adam Sandler Quotes
Quotes to Explore
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I liberate minds with my music. That's more important than liberating a few people from apartheid or whatever.
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There is a triangular relationship between poverty, child labour and illiteracy who have a cause and consequence relationship. We will have to break this vicious circle.
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After high school, I went to the University of Wisconsin Stevens Point for a year, and I studied musical theatre. By that point, I was like, 'This is what I want to do.'
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Personally, it was a big honor for me meeting so many families of the fallen soldiers and hearing their stories.
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My mum has lived in Australia for 22 years now, and we have a rocky relationship. But at the same time it's one I want to maintain. I need her to be my mum. The relationship took a lot of rebuilding.
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Plus, I am paranoid by nature. I need to be in control.
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One can resist the invasion of an army but one cannot resist the invasion of ideas.
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A good writer can set a thriller anywhere and make it convincing: the trick is to evoke the setting in such a way that it highlights the crime or unsettles the reader.
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The creative scientific process is - It's kind of - It's a windy road that has a trajectory, but it's a slow trajectory.
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Connecting with people is not hard. I love the interaction and the feedback after shows. It does take some time, but the fans appreciate it which makes it worth it.
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I have always believed that astrophysics should be the extrapolation of laboratory physics, that we must begin from the present universe and work our way backward to progressively more remote and uncertain epochs.
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I think the hardest thing I went through in the UFC was my first loss. It was terrible. It was traumatizing. But it's just going back and rebuilding and getting better.
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I try to do as many different roles as the system will allow me. That's the benefit of not being in a giant blockbuster where you're the lead and you get typecast in that kind of role. I am able to slip in or out of a lot of different parts.
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Game theorists analyze negotiations as if they were split-a-pie games involving selfish players.
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My own military background is wholly un-distinguished. I was a sergeant.
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I'm reticent to say much more, but we would like to begin in the coming year. We'd like to shoot through the seasons because of the passage of time. This project is the great love of my life.
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Everywhere the sky is blue. There are a multitude of cuisines and dishes. I think of them as the languages and dialects of food.
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Many people can rightfully claim, as much as anyone can rightfully claim anything, that much of their lives have been spent stumbling through a cloud of cluelessness.
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I've grown up around people who love photography, and I think from being photographed for so long, I always wanted to understand how it worked, and I've been fortunate enough to be photographed by some really wonderful photographers, and so I learnt a lot from them, and I always ask them questions.
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I wanted to write in Kitchenese, the secret language of cooks, instantly recognizable to anyone who has ever dunked french fries for a summer job or suffered under the despotic rule of a tyrannical chef or boobish owner.
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I've certainly had periods when I felt like life was winning and I was losing, so I think everybody can relate to that quandary - the temptation to give in, to give up, and then what It takes to keep going.
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In short: just say NO TO DRUGS, and maybe you won't end up like the Hurd people.
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The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.
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I grew up cursing a lot.
