Adam Sandler Quotes
Having a kid is great... as long as his eyes are closed and he's not moving or speaking.

Quotes to Explore
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I like Dolce & Gabbana's fragrance Light Blue - it's my everyday perfume.
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I figure the faster I pedal, the faster I can retire.
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Cable news is more titillating to talk about who's up and who's down and all that nonsense as opposed to what's actually done.
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I think that T.V. shows are more like working at a home. You know you're going to the same place every day, working with the same people, the same cast and crew. You're in a dressing room instead of a trailer, so I think that that's more of a normal sort of lifestyle.
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If you do not milk the cow fully, it falls sick.
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I like 'The Three Musketeers.' I like those kind of cool things where they were having a robe and a sword.
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Looking beautiful isn't just about what you apply on your face. It's the little things you do that matter. A combination of a good diet, exercise, healthy habits, discipline, dancing etc. is what my beauty routine consists of. Also, I have no bad habits; I don't drink or smoke. All these contribute to me being fit and looking good.
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If you only write when the muse strikes, you won't get anything done. You have to write consistently, when your schedule says you should. And that's hard.
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Everything we did was criticized. For about thirty years we lived with the world against us, accusing us of things we didn't do!
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Because of my crazy work schedule, I have become something of a master at changing my clothes while driving. The men driving next to me love it.
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I differ materially from Capt. Lewis, in my account of the numbers, manners, and morals of the Sioux.
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I think Mickey Gall's going to be really good.
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You can involve yourself in electronics, computers, puzzles... there's a lot of creativity and brain working. There's a lot to model trains that people don't realize.
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The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
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I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
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I think it's an enormous blessing to be the child of an immigrant who fled oppression, because you realize how fragile liberty is and how easily it can be taken away.
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I know what falling off the cliff means. I know from being considered a very bright kid to being considered like a moron and dropping out of school.
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People still do fall in and out of love and can and cannot express what they feel and are very much pained because the person they love is with somebody else. That's happening the whole world over, and I think it always has been.
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In this I-me society, my job is to get people to buy into something bigger than themselves.
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The poets began drifting away from churches as the jurists grew louder and more insistent.
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Sensual excess drives out pity in man.
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I love kids. But that's such a big commitment. And it seems long-term. It seems like a commitment that you have to stick with. And I just don't know if I can - it's too risky. Like, what if I don't like the kid?
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Fay: Have you known him long?Hal: We shared the same cradle.Fay: Was that economy or malpractice?Hal: We were too young then to practice and economics still defeat us.
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Having a kid is great... as long as his eyes are closed and he's not moving or speaking.