Adam Wingard Quotes
I think the hardest part about making a scary film is about being able to retain the mystery, especially when it comes to supernatural stuff.
Quotes to Explore
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We continue to be bullish on China.
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Stereotypes lose their power when the world is found to be more complex than the stereotype would suggest. When we learn that individuals do not fit the group stereotype, then it begins to fall apart.
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With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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I think that in the discussion of natural problems we ought to begin not with the Scriptures, but with experiments, and demonstrations.
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I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
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Inventions have long since reached their limit, and I see no hope for further development.
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If you come every day or every month to my studio, you won't see that much change, but if you come once a year, you'll see big new categories opened up.
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It's brutal out on the football field.
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Good tests kill flawed theories; we remain alive to guess again.
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The significance and volume of repairs that are needed across the country demand that we give state and local governments the long-term certainty they need to effectively execute these projects.
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I've seen a fair bit of the States and the rest of the world, and I'm convinced that there's nowhere I'd be happier, there's nowhere I'm missing out on because I'm in N.Y.
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In all the time that people have known me, has anyone ever heard me talk about the importance of rushing records or finishing with the most touchdowns? So if that's never been important to me, then why would that be a motivation to keep playing?
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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It's a trip but it hasn't crossed over to the point where women are throwing their panties at me.
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There is the love and marriage and family kind of happiness, which is exceedingly boring to describe but nonetheless is important to have and dreadful not to have.
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The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.
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Lester is the Rock of Gibraltar. Nothing can rattle him. I am not. I was always flying off the handle about things. And the one person who could calm me down and make me realize that none of this silliness mattered was Lester Holt.
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The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
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All of the people in my life whom I consider to be close friends or colleagues are good thinkers.
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I think the hardest part about making a scary film is about being able to retain the mystery, especially when it comes to supernatural stuff.
