Adrian Tomine Quotes
The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiar with the eccentricities and personalities of cartoonists, so working with her is very easy.
Quotes to Explore
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I like the way hip-hop is now. It's grown up enough so that it can get involved with politics if it feels like it.
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When the Taiwan Relations Act passed in 1979, our biggest concern was preventing the use of military force against Taiwan. Little did we know that our friends on Taiwan could so effectively use the space created by our friendship to revolutionize their political system.
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I have definitely worked on that... being efficient and also being smarter with my pressure.
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Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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You don't go out and change your gender for a television show, O.K.? It ain't happening. I don't care who you are.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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With all the great products that are apparently out there that are undetectable, for me to take something like that... when people take things that now aren't even being tested for, does it make any sense?
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I tell people all the time, 'Don't give up.' We get almost to our blessing, whether you believe spiritually in God or in a good force and an evil force. We get almost to our blessing, and we quit. Don't stop.
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Iraq did not spontaneously opt for disarmament. They did it as part of a ceasefire, so they were forced to do it, otherwise the war might have gone on. So the motivation has been very different.
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My wife Danielle and I love travelling, different cultures and good weather.
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I'm a vegetarian and very much active in regards to how I feel about animal rights and protecting animals and giving animals a voice. But at the same time, I appreciate and respect other people's decisions to eat meat. The only thing that I hope is that people are educated, that they're aware, that they're living a conscious lifestyle.
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A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
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Becoming a leader is synonymous with becoming yourself. It is precisely that simple, and it is also that difficult.
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People trash talk me.
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Education is at the heart of achieving your dreams.
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I'm not the perfect model of what an athlete should be, mentally or physically.
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I've always felt that the obligation of teachers is to have a huge, broad overview and to provide a foundation course to the students. The long view of history is absolutely crucial.
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I'm the same kid who used to hop the trains with headphones and just go to downtown Manhattan, walk around and listen to music or walk through the city. The fame restricts that. It's a small complaint in comparison to the benefits I get from it, but the restrictive part is what I don't like - and the fact that it's not reversible.
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For me it is always the colour, first and foremost.
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I'm Austin Seferian-Jenkins. He's Tony Gonzalez. He's the best tight end to ever play the game. So that's a real strong comparison. I'm just going to do my job and leave the comparisons up to the coaches and the media.
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I grew up watching Sean Young films with my father; we've always been huge fans of hers. A surprising fact is that she loves to work on comedies, which was great for me to hear, because then I could ask her a million questions about 'Fatal Instinct,' which was a VHS I wore out from the video store.
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As a painting teacher I'm not flirting, playing around. I'm serious about it.. .If you don't want to be serious about playing at art, do something of no account. Go into banking. Buy collar buttons at five cents a dozen and sell them for five cents a piece.
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The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiar with the eccentricities and personalities of cartoonists, so working with her is very easy.
