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It's interesting, winning an Academy Award as a young man... life-changing, but I'm just me within that. It's been very helpful for my career, but I'm trying to stay on the path I was on before.
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I did a real boot camp once which with The Thin Red Line which was learning military exercises and this was far less strenuous. I really had a blast. We were all kind of thrown into the woods and we didn't have any of the modern conveniences that we take for granted. Learned how to survive without anything.
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Part of what attracted me to the village was it had a lot of parallels to contemporary issues. Like, fear and the way fear controls us. How the governing body of a town, or a nation, controls us through fear. They might mean well by it, but we are conditioned to be afraid of things. Fear of the unknown. Fear of terrorism. And it's unfortunate.
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I was a wild, mischievous kid, and I had tremendous imagination. Any experience I had, I'd try to reenact it.
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The normal routine is always the same thing whether it's on a new movie or a new job - there's always a process of getting to know one another. I think part of what makes movies special is that it is a relatively intimate environment and it's pretty short-lived - you get to know one another very quickly.
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In my work as an actor, I have been given even greater insights and have been guided towards empathy and a consciousness of those who are less fortunate.
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War is chaotic and when you start having a larger scale film and you have a lot of safety protocols and choreography, I would imagine it becomes more difficult.
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I bet they didn't tell you that was in the gift bag.
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I grew up without a lot of money and my parents grew up with far less money. And that's kept me in line. Really in line.
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It made me have a much greater understanding of loss, of loneliness, and the level of intense tragedy that so many people have experienced in this world, I take a lot less for granted.
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Being just yourself means you're unselfconscious in that moment. Or maybe we're all self-conscious to an extent. You meet a pretty girl, you're different from when you meet a tough kid on the street. So perhaps we always are acting, in a sense. But you meet someone you feel you admire or you "know," and it'll be different for that reason. So far, it's an interesting ride, and I'm curious to see what I can find next.
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Life is very complicated. I look to collaborate with artistic people and to go into an endeavor without judgment and to hopefully be treated with the same.
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I try to pace myself and not work for the sake of working and stick to what inspired me prior to receiving recognition.
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All commitments require sacrifice and hardship.
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You'd be surprised how difficult it is relinquish a cell phone.
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My work as an actor is limited by the voice of the director and the writing.
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Obviously I'm not there to pick up anybody, but I'm not afraid to hang out in a predominantly gay establishment.
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My parents have raised me with a sense of what's really important and have given me decent values, and I'm comfortable, but I haven't lived an excessive lifestyle in the least. And I've kept my expenses to a minimum so that I have the freedom to wait.
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People think fame and money will bring you happiness. Fame actually makes life, especially human relationships, much more complicated.
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My dad told me, 'It takes fifteen years to be an overnight success', and it took me seventeen and a half years.
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It's great when people appreciate your work, but I don't know how seriously to take it. The amazing thing is that I found something so early that I can support myself doing, and that can even be extremely lucrative, but I love it either way.
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It would be terribly boring to be earnest.
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The problem is when you become so well known that everyone is watching you and you don't have an opportunity to observe. It's something that I don't want to lose. I like being unnoticed when I don't feel like being noticed. It's not like I crave attention all the time. Something that I've always loved and appreciated is the chance to see something about someone's character, observe and kind of retain it, and study it without feeling like I'm studying it. I have an intense curiosity. And it would be a shame if I lose the ability to do that.
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Doing interviews is very different from working as an actor, because it's up to the journalist not only to understand what I'm trying to convey, but to convey that understanding through their process. And often times it gets manipulated, sometimes intentionally, by pulling things out of context. Some people may not appreciate your work and some may be incredibly moved by it. So that isn't the concern. You have to do what you can do, and share what you feel is appropriate to share in the moment. And then, it's out of your control.