Jane Austen Quotes
What should I do with your strong, manly, spirited sketches, full of variety and glow? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour?
Quotes to Explore
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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Often I look back and see that I had been many kinds of a fool-and that I had been happy in being this or that kind of fool.
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Everyone should be commended for allowing people to make disasters, to make failures - you've just got to be sure that it's a magnificent failure and that, by creating a magnificent failure, you plant the seed.
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I want to see more Asians on TV. I want to see more faces like mine on TV.
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If there's anything worse than being 16, it's having parents visibly reliving their own teenage years in your anguished presence.
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Fashion's important to me, but beauty fades. All that stuff is fun while it lasts, but anything can happen tomorrow. You've got to have so much more about you than the way you look or your clothes.
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The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.
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I've made a decision and now I must face the consequences.
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I have been running since I was 7. I was trying to restructure the way my body was made instead of trying to master the way I ran. I would get so frustrated with my starts in practices that I would just cry. When I ran, I wouldn't even try to get out of the blocks, I would just run.
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I own a guitar, a piano, a bass.
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If you are socially isolated, you are more vulnerable to stereotypes and myths; you won't have the opportunity to have conversations with someone who has a different social background than you.
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I am a contradiction myself. I'm always looking for something that scares me because when I'm not scared, I'm not stimulated.
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You can't be responsible for the way people respond to you. You're only responsible for yourself.
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A lot of movies are made to make us dream.
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People often ask me, was it hard to play this person or that person? Well, no, not really. Acting is what I do. It's my job.
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There's no such thing as work-life balance. There are work-life choices, and you make them, and they have consequences.
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Psychoanalytic investigation has shown that in mental patients excessive affection often turns to violent hostility.
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There are Katy-Perry-in-concert-type pieces that I look at and am like, 'This dress has a hundred cupcakes on it – I want it!' My mom will always talk me down.
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My relationship and the bond with the people in Montreal was kind of special and doesn't happen very often.
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Football taught me how hard you had to work to achieve something.
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Agent Coulson takes the work very seriously. He certainly has some fun with Spider-Man and the others, but he takes each of their tasks, including when they get involved with the drama club, way too seriously. The adventures that they come up with are really exciting.
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Take any movie with an actor you like. Turn your head and just listen to the performance. In some cases, the physical presence remains as strong when you can't see the actor, when it's just the voice.
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This mandate that I seek is about continuity and sustainability against disruption and stagnation, about moving forward versus regressing. We have to safeguard what we have already achieved. We cannot put at risk what we have; we cannot gamble away our future.
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What should I do with your strong, manly, spirited sketches, full of variety and glow? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour?
