Jane Austen Quotes
What should I do with your strong, manly, spirited sketches, full of variety and glow? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour?
Quotes to Explore
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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Often I look back and see that I had been many kinds of a fool-and that I had been happy in being this or that kind of fool.
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Everyone should be commended for allowing people to make disasters, to make failures - you've just got to be sure that it's a magnificent failure and that, by creating a magnificent failure, you plant the seed.
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I want to see more Asians on TV. I want to see more faces like mine on TV.
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If there's anything worse than being 16, it's having parents visibly reliving their own teenage years in your anguished presence.
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Fashion's important to me, but beauty fades. All that stuff is fun while it lasts, but anything can happen tomorrow. You've got to have so much more about you than the way you look or your clothes.
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The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.
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I've made a decision and now I must face the consequences.
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I own a guitar, a piano, a bass.
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If you are socially isolated, you are more vulnerable to stereotypes and myths; you won't have the opportunity to have conversations with someone who has a different social background than you.
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I am a contradiction myself. I'm always looking for something that scares me because when I'm not scared, I'm not stimulated.
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You can't be responsible for the way people respond to you. You're only responsible for yourself.
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A lot of movies are made to make us dream.
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People often ask me, was it hard to play this person or that person? Well, no, not really. Acting is what I do. It's my job.
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There's no such thing as work-life balance. There are work-life choices, and you make them, and they have consequences.
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Psychoanalytic investigation has shown that in mental patients excessive affection often turns to violent hostility.
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There are Katy-Perry-in-concert-type pieces that I look at and am like, 'This dress has a hundred cupcakes on it – I want it!' My mom will always talk me down.
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My relationship and the bond with the people in Montreal was kind of special and doesn't happen very often.
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I write about real life as it is lived by the young American Muslim women that I've had the pleasure of meeting throughout the course of my travels as a writer and being able to speak in different places and meet different people at signings and things.
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I'm obsessed with the idea of social TV.
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I find painting a much slower process than comedy, where you can go a mile a minute verbally and hope to God that some of the people out there understand you. I don't paint every day. I'm not that motivated.
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In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.
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Actors know one thing: If you're left just with words, you're in trouble.
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What should I do with your strong, manly, spirited sketches, full of variety and glow? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour?
