Kevin Parker (Kevin Richard Parker) Quotes
Listening to my dad playing guitar along to 'Sleepwalk' by the Shadows was probably the first time I discovered emotion in music.
Quotes to Explore
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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I always managed to get in trouble, like every kid. But I had to learn a lot of hard lessons on my own, without parents who would nurture me and guard me through that part of life, at a very young age.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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You can always tell when a man's well informed. His views are pretty much like your own.
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I think with 'Skinwalkers,' the success of it spoke for itself. Meaning a lot of people wanted to see something new on television.
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Most faults are not in our Constitution, but in ourselves.
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I can remember loving to recruit. I knew I was going to do my best. But traveling and recruiting doesn't appeal to me any more. It's not as much fun as it used to be.
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When I eat something like vegetable bibimbap, I get that warm and fuzzy feeling of eating stuff that I grew up with.
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I love my career right now, and I won't be with anybody until they make my life as satisfying and as happy as my work makes me.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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Cornwall has lots of folk and Celtic music and has that kind of surfer vibe as well. That was my kind of upbringing.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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Because of the way my words get scrutinized, I have to use a level of precision so people don't accuse me of misleading them.
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I'm not more or less conscious than any other rapper out there.
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The U.S. along with China, Japan, South Korea and Russia has an important role to play in containing North Korea's nuclear ambitions and exerting all the influence we can possibly exert.
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I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.
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The funny thing is you oddly don't really say goodbye to all the characters you've played. There's like a chest of drawers in your head that you can always access. They're always around. I'm not sure if that's healthy. But they're all there.
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People know things and have a remarkable capacity to act in their individual immediate interests all the time.
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Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
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When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.
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Money is everywhere but so is poetry. What we lack are the poets.
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Listening to my dad playing guitar along to 'Sleepwalk' by the Shadows was probably the first time I discovered emotion in music.
