Camille Paglia Quotes
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Women played no part in Athenian high culture. They could not vote, attend the theatre, or walk in the stoa talking philosophy. But the male orientation of Greek culture was inseparable of its genius. Athens became great not despite but because of its misogyny.
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I have lesbian impulses, so I understand how a man looks at a woman. … When I was growing up, it wasn't possible for me to do anything about my attraction to women. Lesbianism didn't exist in that time, as far as I knew.
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Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self-love.
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I want to promote the introduction of art history in primary schools and to convince the general public that, even in a period of economic crisis, arts funding is an absolute necessity at the federal, state, and local levels.
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Feminism is dead. The movement is absolutely dead. The women's movement tried to suppress dissident voices for way too long. There's no room for dissent.
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The followers of Derrida are pathetic, snuffling in French pockets for bits of pieces of a deconstructive method already massively and coherently presented – and with a mature sense of the sacred – in Buddhism and Hinduism.
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Television is actually closer to reality than anything in books. The madness of TV is the madness of human life.
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There is no female Mozart because there is no female Jack the Ripper.
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Sappho and Emily Dickinson are the only woman geniuses in poetic history.
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In the real world, very smart people fail and mediocre people rise. Part of what makes people fail or succeed are skills that have nothing to do with IQ. Also, the idea that intelligence can be gauged by an IQ test is erroneous.
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Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
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The Gothic tradition was begun by Ann Radcliffe, a rare example of a woman creating an artistic style.
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Ever since Romanticism, an oppositional mode, artists have the right, and indeed the duty, to attack social convention. But it is ridiculous and in fact self-infantilizing for them to expect to be financially supported by the general public whom they are insulting.
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Everything great in western culture has come from the quarrel with nature.
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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Heaven help the American-born boy with a talent for ballet.
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The spiritual history of the Sixties has yet to be written.
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The mystique of the femme fatale cannot be perfectly translated into male terms.
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Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up.
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In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
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Even the most morbid of the rape ranters have a childlike faith in the perfectibility of the universe, which they see as blighted solely by nasty men. They simplistically project outward onto a mythical 'patriarchy' their own inner conflicts and moral ambiguities.
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Male mastery in marriage is a social illusion, nurtured by women exhorting their creations to play and walk. At the emotional heart of every marriage is a pietà of mother and son.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Every male copulating with a woman returns to his origins in the womb. Goethe postponed intercourse until he was forty. This must be related to his self-imposed distance from his forceful mother. To refuse phallic penetration is to refuse surrender to the female matrix.