Camille Paglia Quotes
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I am a registered Democrat who is determined to return my party to the proletarian principles of the Franklin D. Roosevelt era.
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I consider myself not a conservative libertarian but a radical '60s libertarian.
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My generation of the Sixties, with all our great ideals, destroyed liberalism, because of our excesses.
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It's aggravating that Hollywood has never gotten credit for the role it played in promoting modern design.
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My grandfather worked in a shoe factory - he was an Italian immigrant. My father was the first to go to college in the family.
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Madonna remains the most visible performer on the planet, as well as one of the wealthiest, but would anyone seriously say that artistic self-development is her primary motivating principle? She is too busy with Kabbalah, fashion merchandising, adoption melodramas, the gym, and ill-starred horseback riding to study art.
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The only thing that will be remembered about my enemies after they're dead is the nasty things I've said about them.
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I'm a professor of media studies as well as humanities, and I'm an evangelist of popular culture, but when there's only media, then there's going to be a slow debasement of language, and that's what I think we're fighting.
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Everyone of my generation who preached free love is responsible for AIDS.
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Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.
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Back in the 1960s, I got a superb education for very little money. The bill for my first year at Harpur College in New York was a few hundred dollars.
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Feminist anti-porn discourse virtually always ignores the gigantic gay male porn industry, since any mention of the latter would bring crashing to the ground the absurd argument that pornography is by definition the subordination of women.
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I cannot be convinced that great artists are moralists. Art is first appearances, then meaning.
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Butchery is not the point of vampirism. Sex - domination and submission - is.
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American policy seems to be wed to a perpetual state of war. Why? History shows that the world will always be in flux or turmoil, with different peoples competing for visibility and power. The U.S. cannot fix the fate of every nation.
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It is not true that I oppose government funding of the arts.
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The artist makes art not to save mankind but to save himself. Every benevolent comment by an artist is a fog to cover his tracks, the bloody trail of his assault against reality and others.
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I don't go to New York. I don't go to parties. I just do my business and study nature. My career is 28 years in an obscure art school, with limited staff and no perks. All I am is a teacher.
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The Seventies theory explosion i.e., Literary theory, deconstruction, etc. was a panic reaction by headlocked pedants unable to cope with the emotional and sensory flux of the Sixties. It was a desperate search for new authority, new dogma.
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Man has traditionally ruled the social sphere; feminism tells him to move over and share his power. But woman rules the sexual and emotional sphere, and there she has no rival. Victim ideology, a caricature of social history, blocks women from recognition of their dominance in the deepest, most important realm.
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Rule of art: Cant kills creativity!
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It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
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As a scholar who regularly surveys archival material, I think that, a century from now, cultural historians will find David Horowitz's spiritual and political odyssey paradigmatic for our time.
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I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.