Kevyn Aucoin Quotes
Quotes to Explore
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No one has a name in 'The Road.' Like Cormac McCarthy's novel from which it's adapted, 'The Road' features characters such as the man, the boy, the wife, the old man and the veteran.
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In theory, there is no difference between theory and practice. But, in practice, there is.
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All change is bad. But sometimes it has to be done.
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Limitlessness is important for me; I want to be able to use every opportunity to push me forward onto the next thing.
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Thousands have lived without love, not one without water.
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I always enjoyed myself a lot in pre-school.
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My kind of director is an actor-director who writes.
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I think she has more gospel style than I do. I think I'm more, umm, you know mainstream I guess. I don't know if we split the vote. That could be possible but I don't think we are the same at all.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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I wear the national dress because it is the most natural and the most becoming for an Indian.
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I love hard punch lines, and I like anything that has a strong point of view.
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There is a restaurant in L.A. called Crustacean, which is very famous for its garlic crab. Well, I can make garlic crab better than Crustacean. My sauce is so good you'll want to dip your bread in it, put it on your egg omelet, in your cereal, and in everything else.
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You'll never get mixed up if you simply tell the truth. Then you don't have to remember what you have said, and you never forget what you have said.
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Democracy is the theory that the common people know what they want, and deserve to get it good and hard.
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I love the feeling that you get when you can really laugh with a man and be natural and not always think that there's a sexual element going on. For me, flirting with a man means making fun of myself and trying to open myself and be very unpretentious.
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Whatever one thinks of the wisdom of building a mosque near Ground Zero, this controversy now affords us an immense opportunity to examine who we are as a people. It provides us with the opportunity to get back to our foundational ideals, which have always stood as a beacon for the rest of the world.
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Deep, unspeakable suffering may well be called a baptism, a regeneration, the initiation into a new state.
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Intolerance betrays want of faith in one's cause.
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My first three-sisters novel in a while, 'Sandcastles' tells the story of the Sullivan family - two passionate artists and their three wildly different daughters. There's also a renegade nun and a mystery man, but I don't want to give too much away!
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'Twenty Thousand Hertz' investigates the role of audio professionals in our daily lives, from the engineering that ensures a car door closes with that reassuring finality to the Foley artists of Hollywood who synthesise the sounds of marine life using old kitchen equipment gathered at the pound shop.
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If Shanghai wants to be an international cultural center, they have to do something about that. The reason I left is that I wanted to explore what ballet is all about, and if I had stayed put, that wouldn't have happened.
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I can't understand why someone wouldn't have a degree of sympathy for people that had to flee their country, travel to try and find their home somewhere, and nobody wants them. How could you not be a little bit sympathetic?
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I feel like I never would have been a success and gotten published without my family.
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I'd rather have huge success and huge failures than travel in the middle of the road.
