Khoudia Diop Quotes
I was born in Senegal in 1996. My mom moved to New York when I was two years old, so I was raised by my aunt back home.
Quotes to Explore
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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I know it is the fans that are responsible for me being here. I've always tried in each and every broadcast to serve the fans to the best of my ability.
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That which prematurely arrives at perfection soon perishes.
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Life is made up of sobs, sniffles, and smiles, with sniffles predominating.
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At school, I was a tomboy, and it would be me and all my guy friends.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.
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I did every job under the sun from bartending to ushering to temping.
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All too often, the pitchmen are selling the notion that if you gain 'control' over your financial destiny - pick your own stocks and execute your own trades - it will be the first step on a short road to riches.
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At every Christmas, I fail to remember the daughters' shoe sizes, and they are not growing, but grown. After ostensible hard thought about who needs what, I have failed to give good gifts; I have failed to receive good gifts.
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With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
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The biggest cowards are managers who don't let people know where they stand.
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An interview has become such a confrontational thing. It makes you very defensive.
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The strange anthropological lesson of social media is that human beings, if given a choice, often prefer to socialize alone.
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You have to expect the raps when you have achieved popularity as a writer.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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To these ideals which were instilled in me when I was a youth, I attribute in a large degree the success that was mine on the bicycle tracks of the world.
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Our lives are in God's hands. We have no control. We can't control Him by using the Bible or cross as a good luck charm without a thorough reformation of heart and life.
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What this power is I cannot say; all I know is that it exists and it becomes available only when a man is in that state of mind in which he knows exactly what he wants and is fully determined not to quit until he finds it.
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Looking back, I spent a lot of time sitting in pubs when I should have been perfecting my playwriting.
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Practically, I am interested in television because it keeps me home and it's fast, and I exist in independent films mostly, and you don't get paid for those, or you don't get paid enough.
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Cooking and eating at home is made even better by the fact that you don't have to worry about driving after a couple of bottles of very nice wine. For me that's the ideal combination: working hard and enjoying the fruits of your labour.
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If I have to spend a lot of time on planes, I try to think of this as time off. In certain ways, it's more restful than home: no Internet, no phones, no interruptions.
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I was born in Senegal in 1996. My mom moved to New York when I was two years old, so I was raised by my aunt back home.
