Chaka Khan Quotes
Quotes to Explore
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I had the option of building a career in the U.S. Many of my friends who went at the time did not come back, but for me, building the family business and being with family was worth it. I became a general manager within four months, as I used my education to improve productivity and output.
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It's a hard thing to imagine how somebody copes with grief and at the same time has to build a new life.
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This opinion, however, is held by most, that the devil was an angel, and that, having become an apostate, he induced as many of the angels as possible to fall away with himself, and these up to the present time are called his angels.
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I read whenever possible, and I buy books all the time, sometimes online, but mostly from bookshops. I love literature. If you want to understand art, it's important to understand what is also happening in literature, in music, in science, in architecture.
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I am not predicting here that Obama will fail like Jimmy Carter. What I am predicting is the Republican Party is not extinct and will after a period of time become a strong opposition party.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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I'm a psychologist. I was a psychology faculty member, and then I became an administrator of the department, then the Dean of the College of Arts and Sciences. At the time of the presidential search, I was the dean.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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I am a man who is noble. I have a good heart, but at the same time, I'm a little malicioso. There's no way of hiding that side.
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When I'm writing, I spend all my time in The Grocer on Elgin buying ready-made meals; I think they are the only reason my husband and kids haven't left me.
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I was obsessed with Hollywood from the time I was a kid. I always knew I wanted to live in Los Angeles.
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I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
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Because our fight has been for such a long time we are isolated from the world, even after reconstruction we don't have much attention from people outside.
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'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
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At the time, there were very few foreign names in the press and they were all factory workers. I thought I'd never get a job at a university with a foreign name.
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There are also scientific problems with the concept that each of the creation days was a long period of time.
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A film has its own life and takes its own time.
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People ask me from time to time what it was like growing up with Henry Fonda as my father. I say, Ever see Fort Apache? He was like Colonel Thursday.
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I was bookish and dorky in high school, so the best part of this movie was getting to be on the other side.
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I am a romantic fool, no doubt about that.
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The issue is: how do you engage the audience? And one of the things I talk to our communicators about is: The outline is great; the stories are great. But how do you engage them? How do you make it feel like we are on a journey, not you are just up there giving me information.
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The real good teams and the real great teams find a way to win.
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In my thirties, I felt I had hold of one of the reins some of the time.
