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Hip-hop is one of the most free art forms there is. There's so many sounds you can use, so many things you can bring in. You never know, man. I bet years ago people would've never said they would hear me with Rick Ross, and we did four classic songs together.
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The prison-industrial complex, poverty, and the school system has more effect on a young black male in America than Jay-Z does, by far. And that's not a diss to Jay-Z. The crime rate in the black community was high before hip hop. Rapping about it is just a reflection of the life a lot of people are living.
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Some artists I know, they would rather not see the audience or envision them. But for me, I'd rather see them. I feel like part of the reason I perform is to feel that connection. It's the reason I love it so much.
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I'm craving more soul, I'm craving more truth, I'm craving more socially - just people that are aware of what's going on in the world.
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I signed with Kanye back in 2003, and at that time, 'The College Dropout' hadn't even come out, so he was still relatively unknown compared to where he is now. He wasn't a household name; people were still calling him 'Kane.'
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Sometimes there's that perfect moment when the crowd, the music, the energy of the room come together in a way that brings me to tears.
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I was around a lot of gospel as a kid.
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In the 1970s, for all the Stevie Wonders, I'm sure there were five artists that were making forgettable music.
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Hip hop is usually a bunch of guys talking to a bunch of guys, in my experience. It's homosocial, not homosexual, in that it's almost always all one gender in a room where it's being created. That locker-room environment has an impact on the language. I think the music suffers 'cause it allows an almost cartoonish level of misogyny.
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I think writers are prone to hyperbole sometimes.
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John legend is a nickname that somebody started calling me a while ago and part of it is 'cos I sound like an old man when I sing.
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Well, I like songs that have like a little bit of quirkiness to them.
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I studied African American studies, and I read these slave narratives and the escape narratives of people that were able to escape slavery and always found those stories intriguing and powerful and inspiring.
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I'm probably tougher on myself than I used to be. I'll revise my lyrics more. Part of that is working with the right people and producers who will say, 'How can you make that better?' Allowing yourself to collaborate with people will push you toward transcendence.
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I was homeschooled for several years.
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Artists in general never stay in the same place; we keep growing. It's still you: you still have that core that you always had, but you work with new people and hear new things.
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I don't have a real recipe with measurements for my chicken stew. I just kind of make it up as I go. I made it for the first time one Christmas when I came home from college. It's guaranteed to cure a cold.
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In America we have big issues with education - in impoverished communities especially. I work with Teach For All, and so we're encouraging more people to get into teaching.
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There are autobiographical elements to the albums, and when I write, I always reference my own life as well as other things, so I'm just like any novelist or any fiction writer who tells stories.
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Instead of investing our resources in locking people up, let's invest more of those resources in our fellow citizens so they don't end up in the system to begin with. And if they do, they can get back on their feet.
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At work, you want to stand out but not in extra-funky ways. At the core, it's about dressing for girls - who are most of my fans - and you want to dress up for them. You just want to feel like you're on top of your game.
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The main focus for me is not trying to find duet partners. It's about just making great songs. I want most of my album to be in my voice because it's my point of view.
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I think they need to get a more reliable way of watching television on the laptop. Because I travel so much, if I want to watch my favorite sports team it might not be showing in that place, so I want a reliable way to watch whatever I want to watch on my laptop.
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Anybody under the age of forty knows hip-hop, gospel and R&B pretty well, and it's all a part of what we consider to be 'black music.' There is a natural synergy between the three.