James Arthur Quotes
People who aren't artists don't think about creativity and art; they think about money.
Quotes to Explore
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I'm always trying to do the impossible to please people. It comes from not being secure in myself and not looking at the things within I have to fix. Sometimes you keep going because you don't want to face the truth.
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Recent studies have shown that our creativity is increased by 60% when we're walking. I encourage my workshop participants to write at their desks but think on their feet.
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I suppose if I'd got a brilliant first and done research I might still be a don today, but I hope not. People become dons because they are incapable of doing anything else in life.
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I have been fighting climate change for two decades, and people often ask me how I remain hopeful in the face of extreme weather and grim forecasts. The answer is simple: I see countless solutions spreading across the nation and across the world. But we need more investment.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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Putting on my legs is like putting on my shoes. I understand that's how some people might think differently, but I hope that in London, their perceptions open up.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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Normally, most writers don't say, 'I'm going into a mild hypnotic trance.' Typically, they don't know how they do it. Most people, when they have a good experience writing, they're well placed in that state, which is also sometimes called a 'flow state.' If you don't have trouble, you don't have to think about it.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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The gift I have to give to my fellow countrymen and people around the world, the facts are the Muslim community are our gift. They are the fabric of what makes America great.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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You know, the polls show that 70 percent of the people are for stem-cell research.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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The usefulness of a meeting rises with the square of the number of people present.
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It's a matter of taking the side of the weak against the strong, something the best people have always done.
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Personally, I believe in self-determination, but in the context of one South Africa - so that my self-determination is based in this region, and with my people.
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The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
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I found out there is a production paradise in Brazil. I was able to make my second collection for less money but without sacrificing quality. More importantly, manufacturing in Brazil also fits in with my global initiative: to provide work and empowerment in a third-world country.
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I think a lot of people look to me as a sort of lifestyle icon.
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I am as frustrated with society as a pyromaniac in a petrified forest.
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Being a twin, and knowing if my twin was gone or lost - that's a part of me. There's no way I could be the same person knowing my brother had passed away.
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People who aren't artists don't think about creativity and art; they think about money.
