Edgar Allan Poe Quotes
To see distinctly the machinery--the wheels and pinions--of any work of Art is, unquestionably, of itself, a pleasure, but one which we are able to enjoy only just in proportion as we do not enjoy the legitimate effect designed by the artist.
Quotes to Explore
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Sofia Coppola is wonderful, and I'd love to work with her.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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While I was at Cornell in engineering, I was an engineering co-op student, and that turned out to be very valuable because we'd go out every other term to work in industry and have that close association with industry.
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Women can be two different people - one person at home, another at work.
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When I read the pilot 'for Married with Children', it just reminded me of my Uncle Joe... just a self-deprecating kind of guy. He'd come home from work, and the wife would maybe say 'I ran over the dog this morning in the driveway'. And he would say 'Fine, what's for dinner?
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I've never seen hard work fail.
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I do not follow the rules of fashion, and I don't like to be considered a man of the world of fashion. I like to call it the 'style industry' because we try to work on taste.
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I'm a guy of 92kg. I haven't got the physique of someone who can work back and then sprint up front again throughout a match!
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When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
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I have no interest in making a work that doesn't elicit a feeling.
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Although I write to entertain, and try to keep my work free of didacticism, I do have a rather passionate belief in our need to be connected to - and to learn from - history.
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My work is drawn to the political but avoids an agenda. There is no inherent critique or support.
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With high underemployment - currently over one million part-time workers in the UK want to work more hours - sanctioning clients who cannot increase their hours seems to be both unworkable and unfair.
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My father was a painter and an anarchist, always getting in trouble for his performance art.
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Our work is never over.
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In our daily lives as programmers, we process text strings a lot. So I tried to work hard on text processing, namely the string class and regular expressions. Regular expressions are built into the language and are very tuned up for use.
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I knew I was different. I thought that I might be gay or something because I couldn't identify with any of the guys at all. None of them liked art or music, they just wanted to fight and get laid. It was many years ago but it gave me this real hatred for the average American macho male.
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And so I was very grateful that I didn't do the British stiff upper lip, but I went straight to a therapist. And she was wonderful and helpful, and I went for about two years.
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I'm terrified of therapy because I don't want it to mess with my creativity.
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In high school, I was so painfully self-aware that how I thought of myself was probably very different from what other people thought of me. I thought of myself as just painfully awkward and dorky. I had a lot of hair and was kind of weird. I sang a lot in the hallways.
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To see distinctly the machinery--the wheels and pinions--of any work of Art is, unquestionably, of itself, a pleasure, but one which we are able to enjoy only just in proportion as we do not enjoy the legitimate effect designed by the artist.
