Edgar Allan Poe Quotes
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The customs of the world are so many conventional follies.
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Out- out are the lights- out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
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We gave him a hearty welcome, for there was nearly half as much of the entertaining as of the contemptible about the man.
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If we examine a work of ordinary art, by means of a powerful microscope, all traces of resemblance to nature will disappear - but the closest scrutiny of the photogenic drawing discloses only a more absolute truth, a more perfect identity of aspect with the thing represented.
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But evil things, in robes of sorrow, Assailed the monarch's high estate; (Ah, let us mourn, for never morrow Shall dawn upon him desolate!) And round about his home the glory That blushed and bloomed, Is but a dim-remembered story Of the old time entombed.
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There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime...
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Fill with mingled cream and amber, I will drain that glass again. Such hilarious visions clamber Through the chamber of my brain — Quaintest thoughts — queerest fancies Come to life and fade away; What care I how time advances? I am drinking ale today.
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There is not a more disgusting spectacle under the sun than our subserviency to British criticism. It is disgusting, first, because it is truckling, servile, pusillanimous--secondly, because of its gross irrationality. We know the British to bear us little but ill will--we know that, in no case do they utter unbiased opinions of American books . . . we know all this, and yet, day after day, submit our necks to the degrading yoke of the crudest opinion that emanates from the fatherland.
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Even in the grave, all is not lost.
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So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more.
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One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; — hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; — hung it because I knew that it had loved me, and because I felt it had given me no reason of offence; — hung it because I knew that in so doing I was committing a sin — a deadly sin that would so jeopardize my immortal soul as to place it — if such a thing were possible — even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.
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And so, being young and dipt in folly, I fell in love with melancholy.
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The world is a great ocean, upon which we encounter more tempestuous storms than calms.
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Sensations are the great things, after all. Should you ever be drowned or hung, be sure and make a note of your sensations; they will be worth to you ten guineas a sheet.
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A fool, for example, thinks Shakespeare a great poet . . . yet the fool has never read Shakespeare.
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Sorrow for the lost Lenore - For the rare and radiant maiden whom the angels name Lenore - Nameless here for evermore.
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Yes I now feel that it was then on that evening of sweet dreams- that the very first dawn of human love burst upon the icy night of my spirit. Since that period I have never seen nor heard your name without a shiver half of delight half of anxiety.
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Yet we met; and fate bound us together at the alter,and I never spoke of passion nor thought of love. She, however shunned society, and, attaching herself to me alone rendered me happy. It is a happiness to wonder; it is a happiness to dream.
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There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust.
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Coincidences, in general, are great stumbling blocks in the way of that class of thinkers who have been educated to know nothing of the theory of probabilities- that theory to which the most glorious objects of human research are indebted for the most glorious of illustration.
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A short story must have a single mood and every sentence must build towards it.
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Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells Through the balmy air of night How they ring out their delight! From the molten golden notes, And all in tune What a liquid ditty floats To the turtle-dove that listens while she gloats On the moon!
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Believe me, there exists no such dilemma as that in which a gentleman is placed when he is forced to reply to a blackguard.
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As a poet and as a mathematician, he would reason well; as a mere mathematician, he could not have reasoned at all.