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In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
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We allude to the short prose narrative, requiring from a half hour to one or two hours in its perusal...
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I would define, in brief, the Poetry of words as the Rhythmical Creation of Beauty. Its sole arbiter is taste. With the intellect or with the conscience, it has only collateral relations. Unless incidentally, it has no concern whatever either with duty or with truth.
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...-even with us the breath Of Science dims the mirror of our joy.
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And then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in the grave.
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A fearful instance of the ill consequences attending upon irascibility - alive, with the qualifications of the dead - dead, with the propensities of the living - an anomaly on the face of the earth - being very calm, yet breathless.
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Thy soul shall find itself alone ’Mid dark thoughts of the gray tombstone— Not one, of all the crowd, to pry Into thine hour of secrecy. Be silent in that solitude, Which is not loneliness—for then The spirits of the dead who stood In life before thee are again In death around thee—and their will Shall overshadow thee: be still.
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The Merchant, to Secure His Treasure The merchant, to secure his treasure, Conveys it in a borrowed name: Euphelia serves to grace my measure, But Cloe is my real flame. My softest verse, my darling lyre Upon Euphelia's toilet lay - When Cloe noted her desire That I should sing, that I should play. My lyre I tune, my voice I raise, But with my numbers mix my sighs; And whilst I sing Euphelia's praise, I fix my soul on Cloe's eyes. Fair Cloe blushed; Euphelia frowned: I sung, and gazed; I played, and trembled: And Venus to the Loves around Remarked how ill we all dissembled.
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As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles.
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You call it hope-that fire of fire! It is but agony of desire.
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We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused - in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery - by which term we may designate the character of the greater portion of the newspaper press - their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.
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I call to mind flatness and dampness; and then all is madness - the madness of a memory which busies itself among forbidden things.
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...the agony of my soul found vent in one loud, long and final scream of despair.
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In our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember.
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Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!
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For my own part, I have never had a thought which I could not set down in words, with even more distinctness than that with which I conceived it.
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Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
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If a man deceives me once, shame on him; if he deceives me twice, shame on me.
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Now this is the point. You fancy me a mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded.
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Never to suffer would have been never to have been blessed.
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There are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained. The occupation is often full of interest and he who attempts it for the first time is astonished by the apparently illimitable distance and incoherence between the starting-point and the goal.
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I was never really insane except upon occasions when my heart was touched.
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Those who gossip with you will gossip about you.
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I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient.