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We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused -- in place of the verbose, the detailed, the voluminous, the inaccessible.
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He knew that Hop-Frog was not fond of wine; for it excited the poor cripple almost to madness; and madness is no comfortable feeling.
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I have before suggested that a genuine blackguard is never without a pocket-handkerchief.
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Yes I now feel that it was then on that evening of sweet dreams- that the very first dawn of human love burst upon the icy night of my spirit. Since that period I have never seen nor heard your name without a shiver half of delight half of anxiety.
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...And, all at once, the moon arouse through the thin ghastly mist, And was crimson in color... And they lynx which dwelleth forever in the tomb, came out therefrom. And lay down at the feet of the demon. And looked at him steadily in the face.
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Odors have an altogether peculiar force, in affecting us through association; a force differing essentially from that of objects addressing the touch, the taste, the sight or the hearing.
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We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused - in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery - by which term we may designate the character of the greater portion of the newspaper press - their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.
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Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
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That is another of your odd notions," said the Prefect, who had a fashion of calling every thing "odd" that was beyond his comprehension, and thus lived amid an absolute legion of "oddities.
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Not hear it? --yes, I hear it, and have heard it. Long --long --long --many minutes, many hours, many days, have I heard it --yet I dared not --oh, pity me, miserable wretch that I am! --I dared not --I dared not speak! We have put her living in the tomb!
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My next thought concerned the choice of an impression, or effect, to be conveyed: and here I may as well observe that, throughout the construction, I kept steadily in view the design.
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The Merchant, to Secure His Treasure The merchant, to secure his treasure, Conveys it in a borrowed name: Euphelia serves to grace my measure, But Cloe is my real flame. My softest verse, my darling lyre Upon Euphelia's toilet lay - When Cloe noted her desire That I should sing, that I should play. My lyre I tune, my voice I raise, But with my numbers mix my sighs; And whilst I sing Euphelia's praise, I fix my soul on Cloe's eyes. Fair Cloe blushed; Euphelia frowned: I sung, and gazed; I played, and trembled: And Venus to the Loves around Remarked how ill we all dissembled.
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We allude to the short prose narrative, requiring from a half hour to one or two hours in its perusal...
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Melancholy is ... the most legitimate of all the poetical tones.
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Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!
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Imperceptibly the love of these discords grew upon me as my love of music grew stronger.
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The eye, like a shattered mirror, multiplies the images of sorrow...
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Truth is not always in a well. In fact, as regards the more important knowledge, I do believe that she is invariably superficial. The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
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Yes, Heaven is thine; but thisIs a world of sweets and sours;Our flowers are merely-flowers.
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I call to mind flatness and dampness; and then all is madness - the madness of a memory which busies itself among forbidden things.
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In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
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Never to suffer would have been never to have been blessed.
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...the agony of my soul found vent in one loud, long and final scream of despair.
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I have no words alas! to tell the loveliness of loving well...