India de Beaufort Quotes
Quotes to Explore
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I did not work hard in order to achieve more and to remain at the level of the player that I am and that I can be.
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I made an album of healing music called 'Grace and Gratitude' that came from my soul.
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This was just one of many times God has spared me.
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I always get scared. I can't read scripts. I'm scared, scary movies and stuff.
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Leaving the old, both worlds at once they view, That stand upon the threshold of the new.
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The thing about American writers is that, as a group, they get stuck in the same idea: that we're a continent and the world falls away after us. And it's just nonsense.
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I never try to follow a trend or fashion.
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I have always believed that when you're feeling sorry for yourself, the best thing to do is help someone else.
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I am convinced after more than 50 years in the field of motivation that anyone who wants to learn to look at life and/or their circumstances in a positive light can do so.
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If I stayed in London, I probably would have gotten more work. I've never wanted to be thought of as an 'It' girl, someone who rides on the coattails of my mother.
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I'm still having fun, and I'm doing something and I'm seeing the world! I wasn't massively ambitious, but I did always want to do the best I could do.
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Raising ambition in 2014 is crucial for arriving at a meaningful climate agreement in 2015.
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I think there's nothing more amazing than helping people every day.
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I've always had mostly women come out to see me perform. That's the reason the guys show up; they know R. Kelly is going to draw the women. Most of the songs I'm singing are catering to women anyway.
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We come into relationships often very much identified with our needs. I need this, I need security, I need refuge, I need friendship. And all of relationships are symbiotic in that sense. We come together because we fulfill each others' needs at some level or other.
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I've got four kids - I unblock a toilet every day.
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Every real thought on every real subject knocks the wind out of somebody or other.
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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Journalists ask me, 'Why don't you ever talk about sex in your performances?' True, I don't talk about sex – not in my personal life and not in my professional life. This is modesty.
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I debated in high school! If you told things that weren't true or just made things out of whole cloth, you were penalized. It's too bad they don't apply the same standards to presidential candidates as they do to high school students.
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I've never been a career builder. I didn't go to drama school and hardly went to any school at all.
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It can be a necessary conceptual truth that pains are painful without this ruling out the physicalist thesis that immaterial minds are impossible or the thesis that conscious states supervene on physical states. The necessity involved in these claims is nomological necessity, not metaphysical necessity (assuming that these are different).
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Without In The Company of Men, I could still be teaching, so who knows if this would've existed.
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My style is quite clean, vintage, and almost French in a way.
