Sam Abell Quotes
'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography.
Quotes to Explore
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I'm known for having crazy shoes. I have a total Napoleon complex - I'm only 5'4", and every heel I have is four inches or more.
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I've never experienced chronic pain myself, but I have known many people over the years who have.
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I definitely want to work on a project with young designers, not just French but international.
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For me, cerebral palsy wasn't the biggest deal, because I always had it. You know, you always work with what you got.
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In my situation, every time I write a sentence, I'm thinking not only of the people I ended up in college with but my siblings, my family, my school friends, the people from my neighborhood. I've come to realize that this is an advantage, really: it keeps you on your toes.
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I think I need security.
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It didn't scare me to be vulnerable because I think that's when you get something great.
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I'm working on my new album right now. Hopefully to get that out at the top of 2005, January 2005.
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The great thing about America is I've never felt like an outsider. I'm just a different piece of the puzzle.
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I was 6, and I was in the opera 'Carmen.' My dad sang opera and got me into the children's chorus. I was super fat at the time and didn't make eye contact with anyone. I knew I loved acting ever since.
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The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
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When I make a film, I am hoping to reinvent the genre a little bit. I just do it my way. I make my own little Quentin versions of them... I consider myself a student of cinema. It's almost like I am going for my professorship in cinema, and the day I die is the day I graduate. It is a lifelong study.
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Well, being that, at the house and being in the competition, it was very hard to be with family. We couldn't have visitors out of respect for everyone else there. But, being the American Idol, the focus would have been on me.
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We did an album one time called White Mansions, about the civil war, but it was written by a guy from England. His looking at it from over there and it not being a part of his history made it so he could be objective.
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What's amazing is that the Web enables you to build a kind of channel that wouldn't have made sense for cable, in the same way cable enabled you to build content that wouldn't have made sense for broadcast. You couldn't have done CNN with the broadcast networks; you couldn't have done MTV with the broadcast networks.
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Musical theater is one of my passions.
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My creativity all comes from the same place. I wear one very comfortable, large hat.
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Deep breaths are very helpful at shallow parties.
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Our globalized, automated economy is full of magic - Everyday Low Prices and next-day delivery on that single Gatorade you one-clicked. But it is also full of loss - of jobs, of the dignity of steady work, of chances to rise.
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I hire a lot of hosts, reporters, producers, and I hire people who care about the news.
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The greater the conceptual significance of a literary product, the more it should be assumed that it is based on an idea that determines the whole, and that the deeper consciousness of the time to which it belongs is reflected in it.
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When I wrote 'Barefoot in Paris,' I wanted to make simple recipes that you could make at home that tasted like French classics.
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Seven scores, seven scores, seven hundreds of saints, And seven thousands and seven ten scores, November a number implored, Though martyrs good they came.
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'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography.
