Carmen Kass Quotes
Quotes to Explore
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The thing about influence is that any composer worth anything will give you the same names.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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For all intents and purposes, I'm a woman.
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I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
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Democracy is now going forth on a crusade against imperialism.
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Obviously, I never want to make the same record twice. I want to keep moving forward. That's the real challenge, I think.
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You can't embarrass Joss Whedon, he's got no pride! He fully admits it. 'Oh, it's me. I'm little and goofy.' You can't wound his pride. He's too self-deprecating.
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It's something you dream about, working in Scotland, working in Glasgow, walking down the same streets I used to walk down when I was a drama student, daydreaming about being in an American TV show or doing something that was well known. I guess I sort of pinch myself.
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Stupidly it should not be. It should be also nice. One must get along with that. Is however not necessary.
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I think about death most of the day, every day. We can't escape death, and choosing to ignore it only makes it more scary.
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We are saved by grace, not by the works of the law. But don't be so quick to write the law off.
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Only through loving and supporting one another, even in the face of unbearable pain and suffering, will this cycle of violence end.
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Clinton has played a major role in giving companies like Cipla credibility, for which I will always be grateful.
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Americans resident in China inform us that the ballot box in their country is greatly abused for personal ends, and Chinese admirers of the American Republic have not minutely examined its defects.
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I think there's a fear of difference in American cinema.
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I can't live without activity; I can't be sedentary.
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At the heart of every great movie is conflict. It's the same with a meeting. There should be conflict and tension.
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Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.
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When I meet a good actor, I would like to be a director. When I meet a good director, I would like to be an actor. When there is a good script, I would like to be both a director and an actor. The switch is very natural, not intentional.
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At this point in my career, Apollo 13 is a million light years away.
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The 1960s was a period when writers in the West began to be aware of the extraordinary eloquence and popular attraction of the Russian poets such as Yevtushenko and Voznesensky - oppositional figures who could draw crowds. The Russian poets recited from memory as a matter of course.
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I'm indebted to the teachers who shaped me - from the Sisters of St. Joseph at St. Croix Catholic elementary to the monks of St. John's in Minnesota to my professors at Georgetown.
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This book is pointing the way into it for people that see it as daunting or a mystery. Some people just do it, but others need help with the mindset, permission almost to listen to themselves. Understanding how things work is the key.
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I get paid to work; I don't pay to work.