Cynthia Nixon Quotes
There's a way in which I feel like, when you're on an enormous film and there's an enormous crew and there are three cameras and there are like 20 setups for every scene, first of all, it's very... I find it very intimidating. And it's also sort of deadening in a way.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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But the process of making a film is not glamorous. Certainly not my films.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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I'm not into the whole showbiz scene.
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Film has played such a big part in my life, in my impressions of the United States.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Film is anti-language.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I will only do a Hollywood film when there is something special offered to me.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm extremely particular how my look should be in a film.
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The film depends on the audience's belief in this relationship.
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It would be great to make a movie that had the style of a great '30's film.
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Being in a Woody Allen film. I cherish it.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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I've been trying to make records and I describe it almost like a "movie for your ears" where it's a little unconventional in its shape and form, but there's something that's intriguing in keeping you wanting to wait and see the next frame of film, except in here what's coming around the corner for your ears.
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Your job is always the same if it's a juggernaut or if it's just one of these little jewels of a film that's gonna wind up at the Laemmle or something, so your job doesn't change whatsoever... give it your best shot.
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I think, because of my background, which is slightly more exotic than the average British actor, I think, I sort of occupied this little niche quite early on of playing the foreign guy. It started way back at drama school, I played an Eastern European heavy, I played the Russian mobster. And I have done all those different ethnic roles, and I think it's partly because of my look, I think I've got an adaptable sort of nondescript ethnicity, which you can't quite pin down, but it's enough to kind of get a flavor of something.
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Chemists employed by the police can do remarkable things with blood. They can find it in shreds of cloth, in the interstices of floor boards, on the iron of a heel, and can measure it and swear to it and weave it into a rope to hang a man.
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The thorns which I have reap'd are of the tree I planted; they have torn me, and I bleed. I should have known what fruit would spring from such a seed.
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There's a way in which I feel like, when you're on an enormous film and there's an enormous crew and there are three cameras and there are like 20 setups for every scene, first of all, it's very... I find it very intimidating. And it's also sort of deadening in a way.
