M.I.A. Quotes
Music that was made in the 60s and 70s did come from a really soulful place. The seed for the songs written in the 90s were planted in those songs, even though they were samples.
Quotes to Explore
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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Palestinian propagandists can say and do anything they please without concern for the truth, in the belief that if they repeat it often enough it will simply become the truth.
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You mustn't upstage the bride.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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When you can throw 97 miles an hour and put the ball over the plate anytime you want, it's fun.
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The deadpan brilliance of John McCrea has been underrepresented in music since 2004, when Cake served up 'Pressure Chief.'
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This is how I started: My mom was crazy for antique shops and junk shops, and my sister and I would play this game where, if we were driving with my parents and saw a junk shop or an antique shop, we'd scream at the top of our lungs. My poor father would have heart failure and screech to a halt, and we'd leap out and go and explore.
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I don't think I can play Mr. Bachchan.
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We've never been anti-Semitic.
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As goes California, so goes the rest of the nation.
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It's important for people to understand where things come or what they represent.
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My favorite novels allow me to imagine the characters afterward and what happened, and that I've witnessed a really great story, where the world goes on.
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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I struggled for many, many years following 'Music and Lyrics' - I mean really struggled.
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I love the produce section at the grocery store.
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I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.
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I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
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The last thing I want is for people to say that the music is nice. It's not nice. It sounds good, but it's got grit, and it's got edge. It never veers into sweet.
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Music is pretty much in my blood and it's definitely in my environment.
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Music that was made in the 60s and 70s did come from a really soulful place. The seed for the songs written in the 90s were planted in those songs, even though they were samples.
