Yasmine Bleeth Quotes
Quotes to Explore
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'Straight Outta Compton' is my first biopic, my first period piece, and I got a chance to kind of get out there like some of my idols, you know, like Scorsese, Spielberg, Spike Lee, the guys who came before me. You know, I'm feeling good about it.
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We share a wonderful, I think, physical or geographical heritage.
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The arts can play a vital role in revitalizing neighborhoods, using and improving vacant space, bringing new jobs and new sense of opportunity, and improving public safety by generating more foot traffic and more eyes on the street.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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Everything is global now. It's not London, it's not Spain, it's not Italy - everything is everywhere. So you have to be everywhere, I guess.
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I was practically driven to Rome in order to obtain the opportunities for art culture and to find a social atmosphere where I was not constantly reminded of my color. The land of liberty had no room for a colored sculptor.
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Jamestown changed the world in many ways, but perhaps it shaped our nation most profoundly the day Africans arrived. I can't think of a more relevant place to talk about the issues facing our community today than the place where African culture became American culture.
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The beauty of kids is they don't care who you are, which is why people like the Obamas like them so much - they treat them like normal people.
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To succeed in business, to reach the top, an individual must know all it is possible to know about that business.
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One of the most important tools we have at the Small Business Administration (SBA) to reach high growth entrepreneurs is the Small Business Investment Company (SBIC) program.
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I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland. And when we moved to America, it was just the typical thing except I was really good at it; so was my brother.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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I look around my house, and everything except the kids and dogs was made in China. And I'm not sure about the kids. They have brown eyes and small noses.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Custom turns everything upside down. Give it time, and what can resist its hardening effect? What does not yield to use? How many find that the bitterness they had formerly dreaded has, unfortunately, through use alone, turned to sweetness?
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I don't do anything political on Sundays.
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When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
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The choice that frees or imprisons us is the choice of love or fear. Love liberates. Fear imprisons.
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The truth is - I found myself doing these huge action-adventure movies, and um, and which are cool man. And I really love doing them. And thankfully I haven't had too much dialogue, because if I had I would have really made a mess of it. You know what I mean?
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When I first started working on 'Staying Dead,' I got some well-meaning but negative feedback from industry folk because - back in 2001 - epic fantasy was still the big thing, alternate history a tight runner-up.
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Ideals are dangerous things. Realities are better. They wound, but they're better.
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That's what everybody remembers. They don't remember how many medals I won in my career. They remember the 10s.
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It was a June day when I began my career as a national journalist. I stepped into the Detroit Bureau of the 'Wall Street Journal' and started on what would be a long, varied, rewarding career. I was 23 years old, and the year was 1970.
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I love a man who can wear my underwear.
