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I am admiring of my fellow peers, black filmmakers and black actors and actresses.
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My wife and I have been together since 1986. I graduated in '86 and she graduated in '88. We began dating when she was 17. Actually she turned 18 when we started kissing and stuff.
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It took me a month to get out of the mindset of O.J. But even now, still, I think it might have done something to my vocal chords. I went to see the doctor, and he was like, 'I don't see anything. You're fine.' But mentally, I might have broke a little bit.
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There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.
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I understand it all. I can write my own ticket for one or two movies. But if they're not the right ones, my ticket gets yanked. I understand that's how it works, and I'm okay with it.
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I think all my characters haunt me. Especially the real-life ones, like Master Chief Carl Brashear, the Tuskagee Airmen. Every time I see a military person, it gives me such a sense of pride but also a sense of responsibility to project excellence when representing them.
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The truth is, you don't ever decide on a role, not when you first begin. You audition for the role, and you're lucky to get it.
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I think police officers are modern day heroes. I think they protect us.
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The Academy Awards was an amazing night. I know I kind of lost my mind a little bit. I apologize for that. That night went so fast; I can't remember what I said or what happened.
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When I started in the business, you did television, and then when you got lucky, you got a prestige project of a film.
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I speak to my agent about great roles, and he's like, 'They are all going to Will Smith.'
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Now, I have big-money offers on three movies, and I have director approval. That's kind of scary,' he says. 'No directors have been attached. That's a lot of pressure on me.
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I don't choose parts. I choose filmmakers. I'm done trying to make a statement with a character. What happens is, I craft a performance from the beginning to the end of the character. Then I release it to the director, and he interprets what I gave him.
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Our job as artists is to reflect the ills of society sometimes and to find a truth in that, and I think you can't start the healing process until you recognize the truth and all of its ugly warts and all.
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If I told you I was a Republican and you were a Democrat, no matter what I said after that, it would be tempered with your opinions.
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As an actor, when you're winning the moment over, there's a truth to your intention. You might laugh at it or you might cry at it, but I think your visceral reaction to it is a reaction to the truth of the moment.
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As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. It's like watching a masterpiece.