Cristina Saralegui Quotes
The common denominator all Latinos have is that we want some respect. That's what we're all fighting for.
Quotes to Explore
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Try and understand what part you have to play in the world in which you live. There's more to life than you know and it's all happening out there. Discover what part you can play and then go for it.
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Women often have a great need to portray themselves as sympathetic and pleasing, but we're also dark people with dark thoughts.
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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Every good movie I watch, the hero becomes my favourite. I start blushing every time a hero romances a heroine.
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I like bangers and really testosterone-fueled stuff.
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For clothes and accessories, I love my friend's boutique; One by One and UT.LAB for shoes.
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I'm so bad at baseball, I can't even hit now.
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For me, clean fuels translates into cleaner air for Oregonians. I think that's a good thing.
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The moral of a fable is eternal. The moral of a story is temporary to a story.
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I am prepared to do whatever I can do and whatever is reasonable to make sure that it is Hillary who makes it to the White House and not Trump.
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Sure, I've been a victim, but in retrospect, most of it has been of my own making. I allowed it to happen.
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A bad hair day for me is when it gets flat and greasy.
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I don't putt face-on exclusively, but in the back on my mind I'm haunted by the notion that I'm sure it's the best way to putt.
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I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.
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The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
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In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book.
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A lot of people come work with me because I keep an open set, and people can visit. Julia Roberts used to have friends visit on 'Pretty Woman.'
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I was young and felt like it was opportunity 'cause they were moving units back then on the underground scene.
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My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
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If one is going to change things, one has to make a fuss and catch the eye of the world.
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It was a very big principle in my upbringing that you should respect everybody's work. The street sweeper. Everybody. You should never look down on anybody for their work.
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With regard to the ballot, it is worthy of remark that no meeting has been held in favour of Reform at which the ballot has not been strongly insisted upon.
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The common denominator all Latinos have is that we want some respect. That's what we're all fighting for.
