Kiefer Sutherland Quotes
We saw so many phenomenal Rock 'n Roll bands that were not getting signed. We really needed to start looking outside the box.
Quotes to Explore
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When I produce a movie - and I've produced a number of movies, unlike Arnold - yes, I'm frustrated when the union says you can't do this, you can't work past that hour, you've got to break for lunch. But ultimately, they're right. What they do is for everyone's benefit.
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There are times in my life when I just want to be by myself.
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What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
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I've always been a massive fan of John Mayer. I think he's very talented.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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In occupied Iraq, the introduction of new paper money took almost a year, 20 or so Boeing 747s, the mobilisation of the U.S. military's might, three printing firms, and hundreds of trucks.
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I always turn to the sports pages first, which records people's accomplishments. The front page has nothing but man's failures.
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I've shared the fate of many working mothers; I felt guilty like them.
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Suspicion and doubt lead to animosity and hatred.
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There were a couple of things in the intervention that made me know I needed help. One was a letter from my daughter saying that she was ashamed she had the same last name as I did, which will shock you a little bit.
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I was a momma's boy. I didn't get anything from Dad, except my body and baseball knowledge. The only time I spent with him was at the ballpark.
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I'm not attached to things at all. I'm very lucky to have quite a few beautiful things, but if I look back at my life, I was often happiest when I had very little.
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Non-cooperation with evil is as much a duty as is cooperation with good.
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I certainly don't have any boundaries myself, but I think I'm very aware of other people's.
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I do like being busy. I'm not the kind of person who just sits around and goes to a spa when I'm not working.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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I was born and grew up in Fitzgerald, way down in south Georgia. It was a mill town and my family ran the cotton mill. My grandfather was mayor many times and my family felt deeply rooted to that spot.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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The first real thing I heard was Three O'Clock Blues by B.B. King. That's where it all began for me.
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Growing up on a set is completely different than coming onto a brand new set for the first time.
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I'm particularly interested in how you can't rely on your own perception.
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Popular culture - above all rock 'n' roll, with its African-American R & B roots - did far more to radicalize us than did any feminist leader.
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We saw so many phenomenal Rock 'n Roll bands that were not getting signed. We really needed to start looking outside the box.
