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People are bringing a lot more of that funk element into their music, you know, with Bruno Mars and Mark Ronson - that's one that you never thought you would hear something like that on the radio again 'cause it just sounds so much like the Back Bay and what they were doing with music back then.
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I'm a fan of FKA Twigs, The Weeknd. I love that kind of ambient R&B. I feel like it's just another soldier in the war to blur the lines and make things to where it's good music and bad music.
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That has been everybody's challenge, above the dancing, the singing, the lines: getting into who these characters would be in 2015. Today's Tin Man is heartfelt, but he wouldn't be soft. Today's Dorothy would be sassy.
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It's really rare that an entire genre of music allows an artist from a different genre to come and live there.
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I write because I actually enjoy writing. It's a plus and a fringe benefit that, you know, I can actually provide for my family and, you know, a few people know my name - that's great.
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You know what? At this point in my career, at this point in my life... I'm 34 years old; I don't have time to be hiding.
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My initial attraction to 'Red Tails' was the opportunity to play a character that was not me. 'Stomp the Yard' was a great film, but I played myself there.
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For me to be here at album number six, it's kind of a way to say, 'Thank you for allowing me to be here... to still be around.'
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I recall my mum tried to teach me how to fry chicken once, and I almost burned down half the kitchen... I don't think I have the patience for cooking.
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I'm not a natural. I had to teach myself - or be taught - everything I do. I just spent hours and hours in the mirror mimicking Michael Jackson.
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I feel like my music is for everybody. As long as the music is good, I can please everybody.
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One of the very few things that I actually read about myself on blogs that got to me was people saying, 'Ne-Yo doesn't do R&B music anymore.' Just because I stepped off the porch to explore doesn't mean I don't live in that house anymore.
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'Let Me Love You' is about being brave enough to let a person get close enough to you to teach you how to love yourself, to teach you the importance of loving yourself.
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My mom has always been a caregiver, and she's perfect in this role leading my foundation.
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A lot of times, when artists are rushing to put out projects, it's on some financial tip because they want to make money. But for me, I'm not in any rush.
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There's a whole advantage being an executive as an artist.
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I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.
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'Madden' is the closest thing to actually being on the field yourself. It's so ridiculously realistic. Before I play it, I honestly didn't understand. 'What's all the hype? It's a video game'. Then I sat down and played it, and you feel like you're on the field.
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All genres of music have to evolve, grow, and expand in order to maintain. I don't think there's anything wrong with the growth of R&B. I welcome it.
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Me as an artist, I'm more notorious for writing songs that celebrate women, songs that are all about the positive element of the immensely confusing creature that is woman.
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Chimere's not mine. That hurt 'cause I had attached myself to this guy, you know. This is my son. I'm looking at him, and I'm picturing I'm gonna be old, and he's gonna be - this is my son! It's not my son.
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Beyonce's the kind of artist where you're not gonna see it till it's right.
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A man will talk all day about the woman he wants, but should he come across that woman, he'll do something stupid like cheat on her with the kind of woman he was trying to get away from in the first place. It's not a lot of second chances granted in the realm of that.
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Auto-tune is good to keep your notes intact, but it doesn't do much for the feel of your voice.