Neil Sedaka Quotes
I actually started as a concert pianist. I had a scholarship to the Julliard School of Music.
Quotes to Explore
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I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world. This is the perfect job for me.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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Considering all the legal hassle child stars can be, I won't be surprised when they are phased out by CGI children voiced by adult actors.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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A man will turn over half a library to make one book.
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It should simply be an empirical matter whether the climate is changing or not and whether we're responsible. But the various sides of the debate have now become so tribal that it's no longer a matter of changing our views as more information comes in.
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Early childhood education begins early, even before birth.
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I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
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I love 'The Wire;' that's my favorite show, so I'll watch that.
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I've always thought that design can have equal importance to the idea of internal architecture. Professionally, things can be very dogmatic - you do the architecture, someone else does the interiors, someone else does the furniture, the fabric, etc. But I think design is all-encompassing.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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A lot of times on tour it's about, 'OK, where am I today? Wow, I'm in Costa Rica. What is their famous dish?' And it's about trying the food, and really experiencing it.
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One knows less about one's own destiny than about anything else on earth.
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I thought of myself as an outsider in a lot of ways as I was growing up. Not in a bad way; more as an observer. I often find myself thinking as an observer of science fiction rather than as a participant.
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The Masters is a sell-out annually, and even the scalpers mind their manners.
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Spiritual infirmities such as tepidity are caused, not only by chills but also by fevers, that is, by excessive zeal.
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Let me live in a house by the side of the road and be a friend to man.
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I write about the trials and triumphs of contemporary life - and often the readers see themselves between the lines of the story.
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There's not a formula that I'm following; it's just how I feel at the time. For instance, I did a very experimental film called 'Hardcore Henry,' and that was simply because I thought the filmmaker was very interesting and a risk taker. A film like that had never been made before, so I chose to do that at the time.
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The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.
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'Ernest Borgnine' is sort of my version of Woody Allen's 'Purple Rose Of Cairo' in that it's about the occasional difficulty of coming to terms with the cold hard facts and the temptation to escape into another world - like movies, for example. I'm a pro at escaping.
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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I actually started as a concert pianist. I had a scholarship to the Julliard School of Music.
