Corey Stoll Quotes
I'm an actor, in particular, that likes to have a mask or something that can help me distance myself from the character. Like the moustache or an accent.
Quotes to Explore
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Edie Sedgwick had a cool style; she pushed the envelope for the time.
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In this time the enemy began to undermine our fort, which was situated sixty yards from Kentucky River.
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A trade war would be a disaster for the world. It's very easy to slip into a trade war.
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When people don't understand my work, I don't feel like explaining.
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People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
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Women become the objects of rules; they are repressed and lose their rights in the name of religion, or they lose their freedom in the name of tradition, while the state legitimates this foolishness with laws.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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There's this perception sometimes around here that I'm this Hollywood guy.
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My hair and my accent are sort of my main assets.
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I fell in love with theater there, and after graduation I moved to Los Angeles to pursue acting.
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I thought I had the rights to The Lord of the Rings. I don't know how Jackson ended up with the rights.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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There's no second chance on stage, and I was trained to make the most of my first chance.
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I am a victim-oriented person. I like to see that the victims know that they have a voice.
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I could sing in English before I could understand it because I phonetically learned it from the musicals.
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Let's face it; by and large math is not easy, but that's what makes it so rewarding when you conquer a problem, and reach new heights of understanding.
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I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening.
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In an ever-changing technological landscape, where today's platforms are not tomorrow's platforms, the key seems to be that any one of these spaces can use a dose of humanity and art and culture.
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I'm confident as hell when I step in front of the mic.
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You grow and evolve and as you do that, your art hopefully reflects that change and that growth.
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I knew that I was going to have a life as a musician, because I always felt the pull. I don't remember ever having to make a choice.
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The contents of the glass don’t matter; what’s more important is to realize there’s a pitcher of water nearby. In other words, we have the capacity to refill the glass, or to change our outlook.
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Even in my comedies, I don't take anger as a joke. I think anger and laughter are very close to each other, when you think about it. One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
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I'm an actor, in particular, that likes to have a mask or something that can help me distance myself from the character. Like the moustache or an accent.
