Corey Johnson Quotes
Quotes to Explore
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You're creating new things in movies and people are going to steal them.
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Creative output, you know, is just pain. I'm going to be cliche for a minute and say that great art comes from pain.
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Maybe clothes are a form of creative expression for me. An outlet. Because I don't get to express myself creatively through my official duties.
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I write novels and other things.
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The problem with pity parties is very few people come, and those who do don't bring presents.
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I think there's a time to be private and a time to be public, and I think that companies like Facebook and Groupon are basically transformational companies. You don't come across them very often, and I'm pretty sure that they can continue to grow for a long time even being public.
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I was doing acting work at Fox - bit pieces with Greg Peck in The Gunfighter and things like that - and grew up more or less as a Fox contract player in about two years.
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Before competition, I start to question things. I don't know why it happens, but you've got to control it so you don't get too far out of the race.
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I've always felt that the traditional novel doesn't give you enough information about the narrator, and I think it's important to know the point of view from which these tales are told: the moral makeup of the teller.
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Basically, my parents messed up because it was the Sixties, and they both had affairs, but they had a great love for each other. I saw that when my father flew over from Los Angeles when he knew my mother was going to die.
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I have always believed that technology should do the hard work - discovery, organization, communication - so users can do what makes them happiest: living and loving, not messing with annoying computers! That means making our products work together seamlessly.
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It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
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Cable had a latitude to move which created less censorship and bestowed upon the artists, the writers and the creators, more liberty to create their shows.
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Rather than just mimic processes in nature, I think we can harness the powers of nature itself and allow it to help us create. That, in a way is what the 'Dune' project is all about.
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If you read back in the Bible, the letter of the apostle Paul to the church of Thessalonia, he said that in the latter days before the end of the age that the Earth would be caught up in what he called the birth pangs of a new order.
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Half the joy of life is in little things taken on the run... but let us keep our hearts young and our eyes open that nothing worth our while shall escape us.
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The part always has a tendency to reunite with its whole in order to escape from its imperfection.
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Jerusalem is all about a very special relationship between the ground and the sky. This work attempts to bring the two together.
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I tend to over-analyse things. I'm not the type of person to flip a coin and let things happen.
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Ethics are so annoying. I avoid them on principle.
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Every pioneer and musician who could carry a musket went into the ranks. Even the sick and foot-sore, who could not keep up in the march, came up as soon as they could find their regiments, and took their places in line of battle, while it was battle, indeed.
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Art has never been a popularity contest.
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Phylogeny and ontogeny are, therefore, the two coordinated branches of morphology. Phylogeny is the developmental history Entwickelungsgeschichte of the abstract, genealogical individual; ontogeny, on the other hand, is the developmental history of the concrete, morphological individual.
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Whatever happens, happens. Accept things and move on.
