Conor Oberst Quotes
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I'd rather be working for a paycheck, than waiting to win the lottery.Besides, maybe this time it's different, I mean,I really think you like me.
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On a detox loft through a Glendale Park over sidewalk chalkSomeone wrote in red, 'start over.'
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A lot of the mythology that sprung up around Haile Selassie, it's not like something he asked for, having people deify him. That's pretty heavy. I don't know what you do in that situation.
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I think different musical collaborators bring out different qualities in my songs and I like that.
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If I could act likeThis was my real life,And not some cage where I've been placed,Well then, I could tell youThe truth like I used toAnd not be afraid of sounding fake.
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I would say I'm a humanist. I like that. I mean, I don't claim to know anything, but I'm curious about it all. I'm always fascinated when people really fervently believe, because I have such a hard time believing anything.
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We're all too busy working, entertaining ourselvesWith forty hours, television and prescription pills Well, I take two a day to help my brain behaveIt never does, but who's to say? At least my doctor gets paid.
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It's in vogue to have a cause and give money in charity. But to actually speak up and say something like, I'm pissed about this" - that doesn't seem to be very popular unless you're writing a blog or tweeting.
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I do think that music has a special ability to get behind enemy lines and win hearts and minds.
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So I will find my fears and face themor I will cower like a dogI will kick and scream or kneel and pleadI'll fight like hell to hide that I've given up
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So when your new eyes meet mine they won't see no lies, just love.
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I think that hip-hop is more of an individual effort. That means you're an artist from the streets, they expect you to rap about the streets, because that's what happens there.
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Why are you scared to dream of god when it's salvation that you want?
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so believe you're who you areand stay in characterbut at the end of the play the audience walks awayand ill be shivering cold on a well lit stage
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'Cause a costume can be comfortableIt can make you feel more beautifulIt can even make you look like someone elseBut it's still you, so there's nothing you can doLike a bad habit, the one you couldn't kick, there it always isAnd it's nothing that no doctor's gonna fix.
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If I loved you, well that's my fault
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The drunk kids, the catholicsThey’re all about the sameThey’re waiting for somethingHoping to be saved
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Pronouns really don't matter in a song - 'I' or 'he' or 'she' or even subscribing a lyric to an inanimate object.
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For a song I was boughtNow I lie when I talkWith a careful eye on the cue card.Onto a stage I was pushed,With my sorrow well rehearsed.So give me all your pity and your money, now (all of it).
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There was this book I read and loved,The story of a shipWho sailed around the world and foundThat nothing else existsBeyond its own two sailsAnd wooden shellAnd what is held within.All else is sure to pass.We clutch and graspAnd debate what's truly permanent.
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When you write a song, the goal is not to convey the details of your life. You should write a memoir or something if that's what you're going to do.
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With science and reason throughout history, what people believed turned out to be false. So I like to keep an open mind to all perspectives and learn and become more fully realised as a person. I just feel we're never going to know what the full picture is.
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Cause I swear that I'm dying, slowly but its happening.
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Yeah, I was a postcard, I was a recordI was a camera until I went blind