Conor Oberst Quotes
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The idea of forever is kind of ridiculous, which is unfortunate because its kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
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I mean, you just go down the line, and with any of these issues, it's about rich people staying rich. And using poverty as a weapon against people. That's what we see every day. And I'm not an economist, so I can't speak to the nuances of it, but just common sense tells me the whole thing is corrupt.
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I think it is more like a ghostthat has been following us both.Something vague that we're not seeing,something more like a feeling.
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And your eyes must do some raining if you're ever gonna grow / When crying don't help, you can't compose yourself / It's best to compose a poem, an honest verse of longing / Or a simple song of hope.
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Love's an excuse to get hurt.
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They say they don't know when but a day is gonna come. When there won't be a moon and there won't be a sun. It will just go black. It will just go back to the way it was before.
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I try not to think about the idea of reaching more and more people, because once you get in that mindset, I think you lose the point of why you're doing it in the first place. Still, the best feeling I ever get is when I finish a song, and it exists, and it didn't exist before, and now it's there, and it makes me feel a certain way.
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In a way, to have whatever people talk about as "crossover success," I think it means you start making bad music. I mean, when I'm flipping through the channels and see the VMAs or something, I don't really see any music there.
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There's a very fine line between one person's reality and another person's fantasy.
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They say it's better to bury your sadness in a graveyard or garden that waits for the spring to wake from its sleep and burst into green.
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I kind of go in waves with reading. Sometimes I read all the time, and sometimes I can't get settled enough to focus.
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Desaparecidos try to be the opposite of apathetic. There are so many young people in America that are apathetic.
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The way my life's structured, I don't stay in a place for more than a couple months.
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When I run into a person or a kid that comes up and gives me the spiel about, 'Hey, I got your record at this time in my life, and it really helped me,' that stuff totally still rings true. If you're standing there talking to someone, it's really easy to tell if they're being authentic or not. And that's great.
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When you look at what people consider success in the music industry, it's just terrible music.
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You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.
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We, the Desaparecidos, are perfectly prepared for people to hate what we're saying or not like what we're saying.
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The one recurring theme in my writing, and in my life in general, is confusion. The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.
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The only thing major labels can really offer is money.
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Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.
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And I never thought this life was possible,You're the yellow bird that I've been waiting for. In polaroids you were dressed in women's clothes Were you made ashamed, why'd you lock them in a drawer? Well, I don't think that I ever loved you more Well let the poets cry themselves to sleep And all their tearful words will turn back into steam The sound of loneliness makes me happier.
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If the world could remain within a frame like a painting on the wall, I think we'd see the beauty then and stand staring in awe.
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My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.
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To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still write the songs myself.