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I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
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I think I didn't know whether I wanted to keep acting deep into my career. I kept trying to see if I would be able to do it well enough to make that part of my destiny or part of what I was supposed to do.
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I can't say I follow it, but I've watched 'Downton Abbey' a couple of times and loved it.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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My wife is completely different from me: she's good with everyone, whereas I'm good at directed conversation when I have a purpose for it, like now. If everyone's sitting around being social, I'm not great.
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I had been playing really interesting roles before I got great roles. Little ones - 'The Crying Game' I loved working on, and then 'Bird,' 'Ghost Dog,' so many films.
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I'm always surprised when an actor goes so deeply into the truth that they shake you to your core.
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I was a curious child. I'd debate with anyone who came to the door - people from the Islamic community... Jehovah's Witnesses... anyone.
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Many of the wars we see around the world start as domestic conflicts that are fueled by external forces and powers. My view is that we can help peace if we help communities transform from the inside, on their own terms.
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I love to play chess. The last time I was playing, I started to really see the board. I don't mean just seeing a few moves ahead - something else. My game started getting better. It's the patterns. The patterns are universal.
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I always stand up for what I believe and what I want to.
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I've been trying to understand conflict and violence ever since I was a kid. You know. There were a few things that happened even on my block - the Black Panthers used to be right around the corner from where we were.
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While it's easy for South Sudan to feel distant, the situation is all too real for the South Sudanese mothers choosing which child gets to eat tomorrow. This is a time when we must look outward together and declare that humanity has no borders - no one deserves to suffer like this, especially in a world of such abundance.
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You try to pull away the experiences until you get to the core of humanity, and you find that light that exists in everybody. It's that light that I'm searching for in all of my work - is that connective thing, that ether that enters all of us - you know what I mean? That's a part of God.
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It is possible for a kid from east Texas, raised in south central LA and Carson, who believes in his dreams, commits himself to them with his heart, to touch them and to have them happen.
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If there is inequality, and that equates with colour, then I'm going to deal with it.
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Cinema and the arts invite viewers to focus on a story and, in doing so, peel away its layers and peer into the depths of the human soul.
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As human beings, we all have reasons for our behavior. There may be people who have certain physiological issues that dictate why they make certain choices. On the whole, though, I think we're dictated by our structure, our past, our environment, our culture. So once you understand the patterns that shape a person, how can you not find sympathy?
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It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
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It's all about destiny. That's why people look at the zodiac or the I Ching - because there's a certain order to life, and that order has been lived since the beginning of time. No matter what you do, you're going to live inside of it.
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I want to get better as an actor, to keep trying to work harder, trying to discover something different. In some ways, it's a pretty frightening experience. But normally, I do tend to walk against fear and hope that I'll be able to survive.
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Look - I'm an African-American. I'm black. But I'm just looking at the character and trying to find his soul, his energy. If you can wipe away the blanket of skin and flesh that people tend to see, and look inside for the essence of the soul, then that's the work I'm doing. That's the work I always do.
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I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.
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I always try to remain aware that what affects others affects me, too.