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I put down the camera long ago, you know? I was here in London, aged 19, and I was obsessed with my camera, shooting everything I could. Then someone stole it. It helped me to see things for the first time.
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I've been fortunate, I guess: I've gotten to play a lot of very diverse roles for quite a long time. But in the beginning, I was thinking, 'I'm not gonna do certain characters. I will be willing to say no and live on a couch.' And I was really happy.
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I've had many incidents in my life of racism. I've been thrown on the ground. I've been frisked. I've been arrested so many times I couldn't tell you. I have no need to talk about it.
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If I go to a reunion in east Texas, my mother's side or my father's, one out of ten is a preacher or a teacher. That's just the way it is in my family.
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I'm inspired to work with good actors, period. I want to work with the best anytime because I think they'll make me better.
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When I was a kid, the only way I saw movies was from the back seat of my family's car at the drive-in.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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To try and act like we haven't had great progress is not true. Obama didn't fail - he changed the psyche of the nation and, in some ways, the world.
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Ultimately, all human beings fulfill their patterns. We're set in a certain archetype, and we fulfill that destiny.
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Stereotypes do exist, but we have to walk through them.
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I think the only consistent thing is that I like projects that explore different social themes. 'Our Family Wedding' is a comedy, but it deals with two different cultures coming together. It's also about people letting go.
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Until film is just as easily accessible as a pen or pencil, then it's not completely an art form. In painting, you can just pick up a piece of chalk, a stick, or whatever. In sculpture, you can get a rock. Writing, you just need a pencil and paper. Film has been a very elitist medium. It costs so much money.
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I think that cinema and the arts are central in our lives because we grow up and learn about the world through our exposure to stories. Parents use them as a tool to teach their children fundamental truths and values, much as adults can view them to gain exposure to cultures and individuals that they'd never be able to view in their own lives.
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The Internet is part of our evolution. The mystics used to say, 'We can travel across the planet in a thought.' Now we really can. We can be connected with a million people at a time.
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I care about people. In the end, I think they feel it. It comes across, regardless of the character I'm portraying.
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It rests in the hands of the common person as well as those with the power to shape humanity's course toward a world where every child, woman and man's most basic needs are met.
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I try to be like a forest, revitalizing and constantly growing... Kids would tease me, calling me 'Little Bush.' But... I thought being called Forest helped me find my identity.
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I was asked if I would play President Obama in 'My Name is Khan.' I didn't feel comfortable with doing it. Partly because he was still in office, but mainly because I felt that there were other people who were better suited to doing the role.
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When children and youth are deprived of their right to education, their community is deprived of a sustainable future. It is all the more true with refugees.
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College football, acting, opera singing - I approached them all in the same obsessive way.
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My wife, Keisha, came home once, and I had these violinists playing for her, and I'd prepared dinner for her, and I write poems. She's pretty amazing, so I like to celebrate that. She's really taught me how to celebrate life; that's something I've learned.
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In life, there's a ladder sometimes, and maybe at the top, there's a mirror. You take a step up, then maybe three steps down... just because you don't want to face the decloaking in the mirror.
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I think I've made some choices that maybe I wasn't so sure about for some reason or another. But I'm one of the lucky ones. Even when I was young, I played Bird, and that's a role people wait for their whole lifetime.
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I want a director who can let me feel that he's listening and watching and that he's got me covered. That security is really important for me because sometimes you go into a vulnerable space, and you want to be able to look to somebody because you get insecure: 'Did I do that right?'