Robert Smith Quotes
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There's no hope of me becoming completely relaxed on stage. If I did, I'd sit down and doze off.
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I'd rather spend my time looking at the sky than listening to Whitney Houston.
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Anyone can rehearse and play constantly any song in the world.
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I still frequent my parents' house. I go there to escape, back to the bedroom that I grew up in. Just to sit there and feel small.
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You don't always have to sing dark things to be thoughtful.
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I lose myself in music because I can't be bothered explaining what I feel to anyone else around me.
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Apart from the fact that I've got a strange job, I do lead a fairly normal life. I do my own shopping. I don't feel constrained by who I am because of what I do; I often feel disappointed by my lack of ability. I get frustrated at myself, but I think everyone does.
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It has always seemed slightly uncomfortable, the idea of politicised musicians. Very few of them are clever enough to do it; if they're good at the political side, the music side suffers, and vice versa.
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Irony is the recourse of the weak-minded wimp, I think. I hate bands that deliver their songs with knowing smiles on their faces, so that if those songs fall flat they can say 'Ah well, we never really meant it anyway.' It's so dishonest.
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Everything I do has the tinge of the finite, of my own demise. At some point you either accept death or you just keep pushing it back as you get older and older. I've accepted it.
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I always place myself as the archetypal Cure fan. I'm the wrong age, but I still think that if I like anything particularly, our fans will.
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I had every intention of 'Bloodflowers' being the last Cure record. I thought it would be fantastic to finish with the best thing we'd ever done, but I wasn't sure we could pull it off.
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If you acquiesce to one interview, there's always another waiting in the wings. Also if you're interviewed repeatedly, you just start repeating yourself. I don't like to do that.
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I think, at heart, unless you discover faith in something else, something other, it's very hard to shake the thing that you're adrift alone.
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Like I can't cry for myself so I will let this song take all of the things inside I can't let anyone else see and offer it up, as if the sound were some kind of god, and my pain is some kind of sacrifice.
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If I put a value on my music, and no one's prepared to pay that, then more fool me, but the idea that the value is created by the consumer is an idiot plan; it can't work.
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You put on eyeliner, and people start screaming at you. How strange, and how marvellous.
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I do a job I really, really love and I kind of have fun with. People think you can't be grown up unless you're moaning about your job.
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You know, the Internets made us more aware of what people think about us.
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Whenever I'm home, I haven't got any makeup on. But even in the studio, before I do vocals, I put makeup on.
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I don't dislike my peers because they're still around and remind me of what I'm doing. I never liked them anyway. I never liked U2, the things they've done over the years.
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It's really nice meeting people after a concert. Still, it's very weird to be at the center of a group of 30 people all listening to what you're saying. When that group turns into 300 people, it goes on from weird. Some people revel in it, and I don't.
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The idea of reinvention has always seemed bizarre to me.
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I wore makeup when I was at school, and I wore makeup when glam started. I started wearing it again when punk started. I've always been drawn to wearing it. It's partly ritualistic, partly theatrical and partly just because I think I look better with it on.