Kim Edwards Quotes
Quotes to Explore
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There is no planning. On the night it is really great, it's euphoria and if it is not so great there is always tomorrow night. That was his attitude.
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I have thought a sufficient measure of civilization is the influence of good women.
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What brought the British to the Gambia in the first place - which was bigger than it is now - was trade in ivory because the Gambia had a lot of elephants. They wiped out all the elephants and ended up selling Africans.
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I feel pressure, but my emotions just don't show that much in my face.
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I definitely want to work on a project with young designers, not just French but international.
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Children are apt to live up to what you believe of them.
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The secret we should never let the gamemasters know is that they don't need any rules.
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When I arrived at Barcelona, I was following a dream, but I now realize sometimes it's better to be content with what you have rather than follow a dream which nearly kills you.
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If you turn the other cheek, you can be enslaved for 1,000 years.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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I am not ever in the business of making anyone feel bad.
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I enjoyed making this album a lot because of the knowledge we acquired over the last 3 years.
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I knew I wanted considerable education so that I wouldn't have to work as hard as my parents.
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People just kind of associate me with kicking some ass.
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Find something that you love to do, and find a place that you really like to do it in. I found something I loved to do. I'm a mechanical engineer by training, and I loved it. I still do. My son is a nuclear engineer at MIT, a junior, and I get the same vibe from him. Your work has to be compelling. You spend a lot of time doing it.
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Many of my constituents are in their 80s, 90s, even 100, and our focus is ensuring that their needs can be provided for.
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When I read the script and saw the jazz music setting, and when I read the name of the filmmaker was Damien Chazelle, I immediately got this mental image of Antoine Fuqua.
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I wanted to start working on something that had a lasting effect.
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I feel like I'm stepping into a place of spiritual contemplation every time I enter a studio; it's always had a certain magic to me that has never worn off with familiarity.
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Just because you have a choice, it doesn't mean that any of them 'has' to be right.
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It doesn't matter how precisely the onion is cut as long as the person chewing it is happy.
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We have cultural expectations that everyone needs a dining room, yet they're only used three times a year. But if I put a bone handle on the door of an upper-end brick home, I'm making an outlandish statement.
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I think the whole reason for my life is in there somewhere.
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Though my stories aren't autobiographical, I do sometimes use things from my life.
