Kim Weston Quotes
You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.
Quotes to Explore
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My memory of my home was that it was very happy, and that there was more fun and life there than there was anywhere else.
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The only thing worse than an active conscience is one that's retroactive.
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I've always been in love with music, but I've never thought to sing.
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I've always been proud that my name stands for peace.
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Live rich, die poor; never make the mistake of doing it the other way round.
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My sculptures cause an uproar, astonishment, and put a smile on your face.
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I don't want anybody to dictate to America how to decide our lives.
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Lester is the Rock of Gibraltar. Nothing can rattle him. I am not. I was always flying off the handle about things. And the one person who could calm me down and make me realize that none of this silliness mattered was Lester Holt.
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When I was a kid, I was super shy.
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You can't be around Oprah and not have her influence you, and I don't mean that because she's doling out the free advice. I mean it because she is someone that leads with truth and follows her heart. She's a force.
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At present there is no distinction among the upper ten thousand of the city.
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Actors are just soldiers who follow commands.
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The man who has experienced shipwreck shudders even at a calm sea.
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After five years in Ferrari, being second all the time, I think it was enough for me.
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I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
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To think is of itself to be useful; it is always and in all cases a striving toward God.
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Everything has its own kind of theatricality and its own drama.
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You win as a team, you lose as a team, you also do so many things together.
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Death is not something any one of us want to dwell on, but we must all confront it at some point.
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Writers, actors, anybody working on an ensemble-type thing, there are going to be some creaks in the beginning. It seems like there's tremendous potential in just letting things sort of breathe a little bit. It's tremendously important.
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As a father of two children, I am used to seeing kids in the midst of a five-alarm meltdown over the choice of DVD or the necessity of broccoli.
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We'll know homo superior when he comes - by definition. He'll be the one we won't be able to euth.
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I want to work with Cherry Jones.
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You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.
