Kim Yuna Quotes
In competition, when I start performance I try not to think about all the pressure from the fans. But, I got a lot of energy from them always. They make me more perfect.
Quotes to Explore
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I happen to miss the Constitution; I thought it was a good document.
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My father's a Southern Baptist minister. I wasn't lighting cars on fire; I just wasn't.
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My idea, as the whole world knows, is that the capitalist system now doesn't work either for the United States or the world, driving it from crisis to crisis, which are each time more serious.
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If you don't improve the lives of the poor, it's not charity.
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It never occurred to me that I'd be on a television show or in feature films but when those came into play my dreams changed along the way.
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In my blood there is no Jewish blood. In their callous rage, all anti-Semites must hate me now as a Jew. For that reason I am a true Russian.
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In the Philippines, the host should always be willing to defer to the wishes of the guest.
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We are all terminal.
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Audiences are very willing to be taken somewhere, and to ask an audience beforehand what it wants is probably, I think, a mistake. Much better you should tell them what you want and hope they agree with it.
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I get a different kind of lyric from someone else that might make me go in a different musical direction.
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I know it's surprising, but there is a generation of people who haven't seen a Bond movie. They have no idea what it is. I want to entertain them as much as anyone else.
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White folks hear the blues come out, but they don't know how it got there.
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There's no way you can possibly intellectually justify, 'Well, it's okay for the Western Judeo-Christian countries to have nuclear weapons, but not for a country like Iran.' That logic goes nowhere fast.
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Do as much as possible, and talk of yourself as little as possible.
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Trans people deserve something vital; they deserve your respect. From that respect comes a more compassionate community.
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I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
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The South of France is one of my favorite places in the world.
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Back home, almost everything I did, I did in Hebrew. I went to drama school in Hebrew, my whole career was in Hebrew, and to switch languages was something that was fascinating and more complicated than I expected it to be, even though I've been speaking English since I could speak.
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In my life, I got a haircut junior year of college that was a real wash-'n-go type of situation. It was short. I had six or seven people say I looked just like Hugh Grant. And I was like, 'That's a man. So... that's not nice.'
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Before competition, I start to question things. I don't know why it happens, but you've got to control it so you don't get too far out of the race.
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I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices.
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'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.'
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In competition, when I start performance I try not to think about all the pressure from the fans. But, I got a lot of energy from them always. They make me more perfect.
