Kimbal Musk Quotes
Quotes to Explore
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The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
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It's nature-nurture, right? I've been nurtured by Californians.
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I am more afraid of those who are terrified of the devil than I am of the devil himself.
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Jewelry, to me, is a pain in the derriere, because you have to be watching it all the time.
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Here in France, I've seen some very good young designers, but they don't have this ability to be good businessmen, too. I think America gives you this.
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Every time I go to Comic-Con, I'm jacked. I want to dress up and walk the floor and answer questions, because I'm excited about it. It's like making new friends.
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When their city was occupied by the Gauls, and the Romans, who were besieged in the Capitol, had made military engines from the hair of the women, they dedicated a temple to the Bald Venus.
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I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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The blessing of being able to write music and let music speak for itself is you let the melodies and let the lyrics and the groove talk to people instead of me talking to people.
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The measure of your quality as a public person, as a citizen, is the gap between what you do and what you say.
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My husband is a musician. He cooks and he's a chef but he also, he makes basement recordings. So many people in my life make basement recordings, so I feel very lucky, I'm surrounded by very creative people.
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When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
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At school I got teased because I was so thin and awkward-looking. But the girls on TV looked similar to me. I would say to my mum, 'The girls at school are teasing me, but I look like those girls on TV.'
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For a while, I became an atheist; now that I'm grown up, though, I'm not hard-edged enough to be an atheist. Even though I live with a flaming atheist, I love going to temple. I love all the rituals.
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In externals we advance with lightening express speed, in modes of thought and sympathy we lumber on in stage-coach fashion.
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We are all born mad. Some remain so.
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Different directors offer you different things, and it's not necessarily the most obvious things.
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You can tell if there's magic in something. When you start it, you want to finish it and you want it to be perfect. If you're not inspired, and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived, and I don't like to write music that's contrived.
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One could say that in case of need, every normal and healthy woman is able to hold a position. And there is no profession which cannot be practiced by a woman.
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I wish I could sing. I love singers, but I am way too shy. Scares the hell out of me.
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I want to prove that you don't have to come from Oxford University or Rada - and you don't have to have parents that support you - to succeed.
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I'm not ready to get married, but I have a pretty great family and I'd like that too, someday.
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My family were all entrepreneurs, including my parents and grandparents.
