Marianne Williamson Quotes
Quotes to Explore
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I was taught from a very early age that I had to work twice as hard to get half as much. That was the world I grew up in - a very strong work ethic.
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When you say to Israelis, 'European boycott,' they think it means that this year they won't get Camembert cheese on time... That is not the case.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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A man will turn over half a library to make one book.
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I have nothing to hide.
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I like writing idealistically, romantically and swashbucklingly.
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You have to really prove yourself to young people, and if your answer is clear and consistent and loving - even if it's angry and disappointed - what's important is that you're being real and honest and not going anywhere.
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I had to make different kinds of music for everybody but still keep it classic T-Pain at the same time.
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As we continue to step up our investment in education, we must not sidestep our commitment to the principle of local control.
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I had a passport where I wrote 'artist' under 'occupation' and I remember thinking, 'That's it, it's proved!'
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There are other ways of finding satisfaction, recipes for human happiness, enjoyment, dignified and meaningful, gratifying life, than increased consumption that increases production.
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I was very aware of Jeff Buckley. My brother actually bought me The Mamas And The Papas and Jeff Buckley for my birthday when I was in my early teens.
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I am so clever that sometimes I don't understand a single word of what I am saying.
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But the issue is not only life and death but our existence before God and our being judged by him. All of us were sinners before him and worthy of condemnation.
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If you're a casting director, you're going to be curious to see what Timothy Spall's son is like. But when you get in the door, you have to have something to offer.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
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Actors who perhaps are super-confident and have absolute belief in themselves I always admire, because I can't really be like that. Because you never know what's right: what you feel inside versus what is portrayed.
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We play rock & roll, but we swing when we play. We want that ongoing flow, that lightness, that forward rush of jazz.
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The Smith Center is a theater where you want to keep the lights on. The acoustics are amazing, and this is a stage that was built for sound.
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Forty percent of my portfolio is in the U.S. In the rest of the world, most of the places I invest in or invested in are Brazil, Russia, Germany with a little bit of Turkey, China, India, France and Israel sprinkled in there.
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I think a lot of people, when they don't quite fit in in the world, use humor to combat that and to find their place in society.
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We can't make movies without scripts, and there's no cost to writing a script, so my advice to newcomers is do it yourself: Write your own script, shoot your shorts, edit your shorts.
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Do not be angry with the rain; it simply does not know how to fall upwards.
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Enlightenment is the only real antidote to the world's despair.
