Marianne Williamson Quotes
Quotes to Explore
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People always want to doubt you.
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I love myself. Anything that has my name I'm tickled to death.
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China has the best opportunities. A domestic market with 1.3bn people will help create more Fortune 500 retailers.
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I don't have many friends in Philadelphia. I sort of have one. I have the dog and someone else.
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The amazing thing about being a dad is to be able to look at your child and realize that the universe is so much bigger than you.
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People often believe that character causes action, but when it comes to producing moral children, we need to remember that action also shapes character.
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A boy doesn't have to go to war to be a hero; he can say he doesn't like pie when he sees there isn't enough to go around.
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My voice is not good enough for me to sing a song.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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I know that, as a comedian, I've made great strides because I've worked as hard as a person can work at being at least wildly amusing.
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We cannot build a viable state with a country that is disintegrating into small pieces.
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I'm not interested in celebrity.
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I remember 'Def Comedy Jam' being a big deal and kids talking about it in school, but it was never, 'I want to do that.'
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I'm a romantic; a sentimental person thinks things will last, a romantic person hopes against hope that they won't.
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I don't think you'll ever get enough picking.
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I'm tired of being considered some kind of criminal or dangerous throwback for no other reason than that I value, exercise, and defend my rights under the first ten Amendments to the United States Constitution.
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The first album, for better or for worse, was done over from the ages of 17-22, with a couple of different producers. Some of it was recorded in an old swimming pool, some of it was recorded in a synagogue - it kind of was all over the place.
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The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own.
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The writer is more concerned to know than to judge.
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That went on for a long time: telling various tales from my experience being anorexic and bulimic, and having people say, 'You've got to write this; you are a writer,' and me not knowing how to approach the material.
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I think writing gives me creative freedom.
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The Opera was a very cold film, a hopeless and dark film, no hope, no love.
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To me, hope is a moral imperative. I have hope and faith in forces unseen.