Marianne Williamson Quotes
Your character defects are not where you're bad, but where you're wounded. But no matter who or what causes the wound, it's yours now and you're responsible for it.
Quotes to Explore
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Edie Sedgwick had a cool style; she pushed the envelope for the time.
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I am a very proud Hindu. The foundation of my personality is laid on the teachings of Swami Vivekananda or Sanatan Dharm or the Geeta. And if my religious practices or anybody's religious practices is given any kind of sadistic name, it instills fear about other person's religious practices.
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We did a remake of Lost in Space. Filmed it in London for four months.
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It's lovely to be considered pretty and lovely to do photo shoots, and I just love fashion. But I'm proud that I did the characters I wanted to do.
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Death is the only pure, beautiful conclusion of a great passion.
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As long as I have my health, I want to be reporting somewhere.
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Of all Iraq's rocket scientists, none drew warier scrutiny abroad than Modher Sadeq-Saba Tamimi.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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I'd love to have William Faulkner, Beethoven and Bach over. I want to find out what makes those guys tick!
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Good God, do you mean to say this place is a club?
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There's a certain fear of simplicity. I think that's the thing, when you're younger as an artist, you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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For more than 20 years, on every one of the great issues of freedom and security, John Kerry has been more wrong, more weak and more wobbly than any other national figure.
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I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.
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Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
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I have been working for over 30 years and am always wondering about where I am and where I am going. It does not stop and become a fixed event of achievement.
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Oil is ancient wealth in the ground.
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I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.
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I've always written songs. I'd come home from school and play piano for hours on end, just banging around.
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When you hear "Seinfield," no one says, "the Jewish comic." You talk about Cedric the Entertainer, you don't say, "African American comedian Cedric the Entertainer." Even Margaret Cho - who's like one of three Korean performers out there - no one refers to her like that. They say, "It's Margaret Cho."
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I want to be an animated character. I'm also doing more writing and directing.
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People go down bad paths and they make bad decisions, but it's always justified in their head.
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There was a point I felt like everyone was heading in that direction of 'How can we be darker than 'Breaking Bad?'
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Your character defects are not where you're bad, but where you're wounded. But no matter who or what causes the wound, it's yours now and you're responsible for it.
