Connie Britton Quotes
Just drawing on my own experience, I never - I never - personally reference myself as old. I don't think of myself as old, but I certainly would not say that to a man.
Quotes to Explore
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I'd wanted to be famous for as long as I could remember.
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I'm always nervous when I start a new picture.
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I've never really had a TV career. I've been a soldier and a climber.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.
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I hear a lot of bad TV commercials that try to sound like Where It's At. That pretty much turned me off from using the electric piano for a lot of years.
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It should take you 15 minutes to make a song, and then get out of there.
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I suppose I am one of those lucky people who eats what they like and doesn't gain too much weight.
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A man of genius has been seldom ruined but by himself.
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More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.
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Healthy forests and wetlands stand sentry against the dangers of climate change, absorbing carbon dioxide from the atmosphere and locking it away in plants, root systems and soil.
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What is this world? A mere curl of smoke for the wind to scatter.
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I have never made a game that wasn't explicitly about empowering players to tell their own story.
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I've always wanted to take up work that my heart is convinced about. And I shall continue to do so.
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I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.
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That's the really neat thing about Dan Quayle, as you must have realized from the first moment you looked into those lovely blue eyes: impeachment insurance.
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Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
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There are some musicians who are talented and see themselves as some kind of natural geniuses or something because of a certain amount of natural ability. But that is often rarely the case over the long term.
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I had some interesting costumes... the one that I remember right offhand is Zorro when I was a lot younger. I was a big time Zorro fan. My mom helped me make it, and I remember having a big issue with the fact that she wouldn't let me carry around a real metal sword; it just had to be plastic.
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One of the maddening ironies of writing books is that it leaves so little time for reading others'. My bedside is piled with books, but it's duty reading: books for book research, books for review. The ones I pine for are off on a shelf downstairs.
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I was very lucky when I started doing comedy because I hadn't seen much stand-up. I just got up on stage and did it without thinking.
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Through the years of experience I have found that air offers less resistance than dirt.
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The relationship with producers has always, in my experience, been, uhhh - tense. Challenging. But the actors and crew become like family. You're there all those hours - more than on a movie. You come to depend on each other.
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Just drawing on my own experience, I never - I never - personally reference myself as old. I don't think of myself as old, but I certainly would not say that to a man.
