Connie Britton Quotes
Just drawing on my own experience, I never - I never - personally reference myself as old. I don't think of myself as old, but I certainly would not say that to a man.
Quotes to Explore
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I'd wanted to be famous for as long as I could remember.
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I'm always nervous when I start a new picture.
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I've never really had a TV career. I've been a soldier and a climber.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.
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I hear a lot of bad TV commercials that try to sound like Where It's At. That pretty much turned me off from using the electric piano for a lot of years.
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It should take you 15 minutes to make a song, and then get out of there.
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I suppose I am one of those lucky people who eats what they like and doesn't gain too much weight.
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A man of genius has been seldom ruined but by himself.
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More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.
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What is this world? A mere curl of smoke for the wind to scatter.
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I have never made a game that wasn't explicitly about empowering players to tell their own story.
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I've always wanted to take up work that my heart is convinced about. And I shall continue to do so.
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I like writing people from a slightly sharp angle and then throwing more light on them. I think in life we see somebody and make judgments very quickly about who they are and what they are. Or we think people are boring because they appear ordinary.
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That's the really neat thing about Dan Quayle, as you must have realized from the first moment you looked into those lovely blue eyes: impeachment insurance.
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Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
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There are some musicians who are talented and see themselves as some kind of natural geniuses or something because of a certain amount of natural ability. But that is often rarely the case over the long term.
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I had some interesting costumes... the one that I remember right offhand is Zorro when I was a lot younger. I was a big time Zorro fan. My mom helped me make it, and I remember having a big issue with the fact that she wouldn't let me carry around a real metal sword; it just had to be plastic.
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Childhood nutrition and healthy eating is a cause that is extremely close to my heart.
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What I described in 'Another Life' - about being on the hill and feeling the sort of dissolution that happened - is a frequent experience in a younger writer.
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No matter what, I want to experience a sense of peace while talking. As I look out into the audience, Ill remember to breathe and notice that at my core there is peace.
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Someone who takes love away from us devastates the cultural structure we've worked on all our lives, deprives us of that sort of Eden that until that moment had made us appear innocent and lovable. Human beings give the worst of themselves when their cultural clothes are torn off, and they find themselves facing the nakedness of their bodies, they feel the shame of them. In a certain sense the loss of love is the common experience closest to the myth of the expulsion from the earthly paradise: it's the violent end of the illusion of having a heavenly body, it's the discovery of one's own dispensability and perishability.
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Just drawing on my own experience, I never - I never - personally reference myself as old. I don't think of myself as old, but I certainly would not say that to a man.
