Common (Lonnie Corant Jaman Shuka Rashid Lynn) Quotes
I was in the heart and soul of Baltimore. I definitely felt a connection to the people. They're really hard-working people that want to have a better life. And I saw the struggle that exists there.
Quotes to Explore
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Yes, I can speak a bit and I can read and write in Russian. I learned it from my grandmother who raised me with all the Russian fairytales.
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My vision for the future always centers around our children - it always centers around our children. So anytime anybody asks me what are the three most important issues facing the Congress, I always say the same thing: 'Our children, our children, our children.'
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When I first came out with my fans and the wind hit me, I almost took off.
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And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
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If you ever meet an actor who's the child of actors, they'll never tell you that they wanted to be a star. But what I did realise early on was that I just wanted to be in that tribe.
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Any effort to create a second class of Americans, I just can't swallow that.
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There are so many Muslim women that feel like they don't fit society's standard of beauty. I just wanted to tell them it's OK to be different; being different is beautiful, too.
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Circumstances are the rulers of the weak; they are but the instruments of the wise.
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If you're a basketball player, you've got to shoot.
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I'm now the Lord of the Brighton Manor.
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The notion that one will not survive a particular catastrophe is, in general terms, a comfort since it is equivalent to abolishing the catastrophe.
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It is impossible for me to estimate how many of my early impressions of the world, correct and the opposite, came to me through newspapers. Homicide, adultery, no-hit pitching, and Balkanism were concepts that, left to my own devices, I would have encountered much later in life.
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Winston Cup and the Busch Series are two totally different leagues. You get put in different situations.
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My career is playing the guys who go, 'Boo.' That's what I do.
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When you start directing movies at the age of 24, you're just a kid; you don't necessarily even have the experiences to add to the story. You're working off of instinct and raw emotions and raw talent, and hopefully it's the same trajectory as growing as a person.
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I remember immediately - immediately - feeling like, 'I don't want to play 'We Are Young' when I'm 35. I don't want to be defined by this.'
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My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.
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Movies can't ruin books. They can only ruin movies.
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I don't want to talk about intelligence matters. I will say, however, that intelligence-community estimates should not become public in the way of this city and in the way of Congress.
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There was nothing he could do unless he accepted what was real.
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Whenever I write a part, I think there's this person somewhere in the world that this part is specifically for, and all I have to do is go searching to find that particular individual.
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I hate to tell you this, but there's an entire subset of people out there who think of me as quite a dull actor. And that's the word used, and often – dull.
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My work is not my life. I started writing quite late, I didn't have that 'writing is everything, my art is all.' You have to be able to recognise the difference between the two.
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I was in the heart and soul of Baltimore. I definitely felt a connection to the people. They're really hard-working people that want to have a better life. And I saw the struggle that exists there.
