Colin Mochrie Quotes
When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.
Quotes to Explore
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To be honest, I am very worried about the possibility of the U.K. leaving the E.U. But of course, like in the case of Catalonia, we have to respect the right to decide of the British people on a relationship that part of the Brits consider is not satisfying enough.
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It is easy to be independent when you've got money. But to be independent when you haven't got a thing, that's the Lord's test.
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If people don't want to come out to the ball park, nobody's gonna stop 'em.
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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I like to stand right in front of my opponent. I think it makes for an exciting fight.
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I studied the lives of jazz singers who would tour Europe, and... what I learned was life was big ride for them. They'd seen the dark side of humanity... but touring the world playing jazz, it was a truly carefree way of living. A great escapism, if you like.
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There are millions of people who consume music illegally every month. Just getting them into a legal service will make the music industry way bigger than it's ever been before.
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I love going to concerts, so that whole environment is something that intrigues me anyway.
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You see what happens in college and high school games today - a three-point shot or a dunk. I think that's the reason that you see a lot of that in the pros today.
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All of my main characters have been under 30.
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See, that's the thing: I'm not one of those actors who thinks, 'God, I've got to improvise and make it my own.' No, my first job as an actor is to take what's written and make it work. And then, if they want me to improvise, I'll do that.
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I do not make any apologies for my manner or personality. I come from a long line of very strong, black African-American women who neither bend nor bow. I haven't had very good modeling in submission.
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Fifteen- to 30-year-olds are interested in all kinds of intelligent movies - it doesn't have to be a broad comedy or an action adventure for them to go see it.
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You shouldn't put your hands on a woman. Simple as that.
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The essential lesson I've learned in life is to just be yourself. Treasure the magnificent being that you are and recognize first and foremost you're not here as a human being only. You're a spiritual being having a human experience.
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Life is precious, and when someone dies it's an opportunity to realise how precious it is. My brother drowned when I was 17. He was 15. I think I grew from that. My father didn't. It really crushed him.
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Sometimes I worked with just a background of a rock or a tree or black velvet, and just had to imagine the whole thing.
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Lebanon, Israel, Ireland, South Africa - wherever there is a bleeding sore on the body of the world, the same hard-eyed narrow-minded fanatics are busy, indifferent to life, in love with death.
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I never know as a writer when I set out into a novel where it's going to take me.
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When we are consciously aware of being used as broken bread and poured out wine, we have yet another level to reach - a level where all awareness of ourselves and what God is doing through us is completely eliminated. A saint is never consciously a saint - a saint is consciously dependent on God.
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The way you deal with a scare is the way you deal with a laugh. The timing has to be perfect. When you're dealing with fear or laughter - emotions that happen spontaneously - you hope it's working. But in the moment, you really have no idea.
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When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.
